- In rhetorical analysis, an appeal that persuades by establishing the writer's credibility, character, or trustworthiness is best described as which type of appeal?
- An appeal to ethos
- An appeal to pathos
- An appeal to logos
- An appeal to kairos
Correct answer: An appeal to ethos
The appeal to ethos persuades by establishing the writer's credibility, character, or trustworthiness. Pathos works through emotion, logos through reasoning and evidence, and kairos through timeliness rather than the speaker's character.
- A writer who supports a claim with statistics, logical chains of cause and effect, and documented data is relying most directly on which rhetorical appeal?
Correct answer: Logos
Relying on statistics, cause-and-effect reasoning, and data is an appeal to logos, the appeal to logic and evidence. Pathos targets emotion, ethos targets credibility, and anaphora is a repetition device rather than an appeal.
- Consider this sentence from an essay: 'Picture a child going to bed hungry while crates of unsold food rot in a warehouse across town.' The writer's choice to describe this scene most directly appeals to the audience's
- Sense of logic through data
- Trust in the writer's expertise
- Emotions through a vivid image
- Awareness of the deadline for action
Correct answer: Emotions through a vivid image
The vivid image of a hungry child beside rotting food is an appeal to emotion, or pathos. It does not present data (logos), assert the writer's expertise (ethos), or stress timeliness (kairos).
- In analyzing a nonfiction passage, the term that refers to the writer, the intended audience, the purpose, the surrounding context, and the exigence is known as the
- Line of reasoning
- Figurative language
- Point of view
- Rhetorical situation
Correct answer: Rhetorical situation
The rhetorical situation encompasses the writer, audience, purpose, context, and exigence. A line of reasoning is the logical progression of an argument, figurative language is a category of stylistic devices, and point of view is a narrower element.
- Within the rhetorical situation, the term 'exigence' most precisely refers to
- The urgent issue or problem that prompts the writer to respond
- The order in which ideas appear
- The writer's level of formal education
- The emotional reaction of the audience
Correct answer: The urgent issue or problem that prompts the writer to respond
Exigence is the urgent issue, problem, or occasion that prompts a writer to respond. It is distinct from the arrangement of ideas, the writer's credentials, or the audience's emotional reaction.
- A speech delivered to a hostile audience of business owners about new environmental regulations differs from the same content delivered to environmental activists primarily because of a change in
- The writer's diction only
- The audience, which is part of the rhetorical situation
- The use of figurative language
- The number of paragraphs
Correct answer: The audience, which is part of the rhetorical situation
A change in who is being addressed is a change in audience, a core element of the rhetorical situation that shapes the writer's choices. It is broader than diction alone, figurative language, or paragraph count.
- The primary skill tested by the multiple-choice questions on nonfiction passages in this exam's Reading section is best described as the ability to
- Correct grammatical errors in student drafts
- Memorize the dates of major American essays
- Analyze how a writer's rhetorical choices contribute to meaning and purpose
- Compose an original argument
Correct answer: Analyze how a writer's rhetorical choices contribute to meaning and purpose
The Reading section measures the ability to analyze how a writer's rhetorical choices contribute to meaning and purpose. Correcting grammar belongs to the Writing section, while memorizing dates and composing originals are not tested by Reading MC.
- When a question asks how a particular sentence functions within a passage's argument, it is testing the reader's grasp of the writer's
- Spelling conventions
- Personal biography
- Citation format
- Strategic rhetorical choices
Correct answer: Strategic rhetorical choices
Asking how a sentence functions within an argument tests understanding of the writer's strategic rhetorical choices. Spelling, biography, and citation format are not the focus of such analysis.
- The umbrella term that groups together ethos, pathos, and logos as the means by which a writer persuades an audience is
- Rhetorical appeals
- Sentence variety
- Tonal shifts
- Line of reasoning
Correct answer: Rhetorical appeals
Rhetorical appeals is the umbrella term covering ethos, pathos, and logos. Sentence variety and tonal shifts describe style features, and a line of reasoning is the structure of the argument.
- A writer building an argument selects vivid anecdotes, cites respected authorities, and presents statistics in turn. Identifying these as a combination of pathos, ethos, and logos demonstrates analysis of the passage's
- Punctuation
- Rhetorical appeals
- Narrative chronology
- Syllable count
Correct answer: Rhetorical appeals
Recognizing the blend of pathos, ethos, and logos is recognizing the passage's rhetorical appeals. The other options name surface features unrelated to how the writer persuades.
- When a question asks why a writer arranges examples in a specific order or chooses to open with a startling claim, it is examining the writer's
- Verb tenses
- Margin formatting
- Rhetorical strategies
- Alphabetization
Correct answer: Rhetorical strategies
Arranging examples or opening with a startling claim are deliberate rhetorical strategies that advance the argument. Verb tenses, formatting, and alphabetization are mechanical concerns, not persuasive strategies.
- A writer who describes an opponent's view fully before dismantling it is employing a rhetorical strategy intended to
- Confuse the reader about the topic
- Reduce the essay's word count
- Avoid taking any position
- Strengthen the argument by addressing opposing ideas
Correct answer: Strengthen the argument by addressing opposing ideas
Presenting and then dismantling an opposing view strengthens an argument by directly addressing opposing ideas. It is not meant to confuse readers, cut length, or avoid a position.
- In an argumentative passage, a 'claim' is best understood as
- An assertion the writer wants the audience to accept
- A factual detail offered as support
- A transitional word linking paragraphs
- A citation of an outside source
Correct answer: An assertion the writer wants the audience to accept
A claim is an assertion the writer wants the audience to accept. The supporting facts are evidence, transitions link ideas, and citations credit sources.
- In the sentence 'Remote work boosts productivity, as shown by a 2024 study finding a 13 percent rise in output among home-based employees,' the portion beginning with 'as shown by' functions as
- The central claim
- Evidence supporting the claim
- A counterargument
- A rhetorical question
Correct answer: Evidence supporting the claim
The 'as shown by' portion provides evidence supporting the claim that remote work boosts productivity. The claim itself is the opening assertion, not a counterargument or question.
- A reader evaluating whether a writer's support is relevant and sufficient is assessing the relationship between the writer's
- Font and spacing
- Title and byline
- Claims and evidence
- Page length and margins
Correct answer: Claims and evidence
Judging relevance and sufficiency of support means evaluating the relationship between claims and evidence. Font, title, and page length are not measures of argumentative support.
- The logical progression that connects a passage's claims into a coherent argument is called the
- Figure of speech
- Point of view
- Denotation
- Line of reasoning
Correct answer: Line of reasoning
The line of reasoning is the logical progression connecting claims into a coherent argument. A figure of speech is a stylistic device, point of view is perspective, and denotation is literal meaning.
- When a question asks how the organization of a passage's paragraphs develops the writer's argument, it is testing the reader's understanding of the
- Line of reasoning
- Spelling
- Number of syllables
- Page count
Correct answer: Line of reasoning
How paragraph organization develops an argument is a matter of the line of reasoning. Spelling, syllables, and page count are unrelated to argumentative structure.
- A writer moves from a general principle, to a specific case, to a recommended action. This sequence is best described as the passage's
- Use of imagery
- Line of reasoning
- Tone
- Allusion
Correct answer: Line of reasoning
Moving from principle to case to recommendation is the line of reasoning, the logical progression of the argument. Imagery, tone, and allusion describe stylistic features instead.
- When a writer raises an objection that an opponent might make and then responds to it, the writer is using
- An allusion
- An understatement
- A counterargument and rebuttal
- A parallel structure
Correct answer: A counterargument and rebuttal
Raising an opponent's likely objection and answering it is a counterargument and rebuttal. Allusion, understatement, and parallelism are unrelated devices.
- In the passage, the writer states, 'Critics insist that the policy will raise costs,' then immediately adds, 'yet every comparable program has lowered them within two years.' The second statement functions as a
- Concession with no response
- Restatement of the thesis
- Purely emotional appeal
- Rebuttal to the anticipated objection
Correct answer: Rebuttal to the anticipated objection
The second statement is a rebuttal that answers the anticipated objection about rising costs. It is not a bare concession, a thesis restatement, or merely emotional.
- When a writer acknowledges that an opposing point has some validity before arguing against it, the acknowledgment is called a
- Concession
- Refutation
- Hyperbole
- Metaphor
Correct answer: Concession
Admitting that an opposing point has some validity is a concession. The argument against that point is the refutation, while hyperbole and metaphor are figurative devices.
- In the sentence 'While stricter rules may inconvenience a few drivers, the resulting drop in fatalities outweighs that cost,' the clause beginning with 'While' serves as a
- Statistic
- Concession
- Citation
- Rhetorical question
Correct answer: Concession
The 'While' clause concedes that stricter rules inconvenience some drivers before the writer refutes that concern. It is not a statistic, citation, or question.
- In rhetorical analysis, 'diction' refers specifically to a writer's
- Arrangement of sentences
- Use of citations
- Choice of words
- Paragraph length
Correct answer: Choice of words
Diction refers to a writer's choice of words. Sentence arrangement is syntax, citations credit sources, and paragraph length is a structural feature.
- A passage that strings together long, clause-heavy sentences to mirror the complexity of an idea is making a deliberate choice in
- Diction
- Citation
- Spelling
- Syntax
Correct answer: Syntax
The arrangement and structure of sentences is syntax, and long clause-heavy sentences are a syntactic choice. Diction is word choice, while citation and spelling are unrelated.
- A question that asks how the writer's word choice and sentence structure together shape the reader's experience is asking the reader to analyze
- Diction and syntax
- Page formatting
- The works-cited list
- The author's birthplace
Correct answer: Diction and syntax
Word choice and sentence structure together are diction and syntax. Formatting, works-cited lists, and biography are not the targets of such a question.
- In rhetorical analysis, 'tone' is best defined as
- The literal definition of a word
- The writer's attitude toward the subject or audience
- The number of sources cited
- The physical layout of the text
Correct answer: The writer's attitude toward the subject or audience
Tone is the writer's attitude toward the subject or audience as conveyed through stylistic choices. It is not a word's literal definition, the source count, or the page layout.
- A reviewer writes, 'This so-called masterpiece manages to be both tedious and forgettable.' The tone of this sentence is best described as
- Reverent
- Neutral
- Scornful
- Celebratory
Correct answer: Scornful
Calling a work a 'so-called masterpiece' that is 'tedious and forgettable' creates a scornful tone. It is the opposite of reverent or celebratory and is far from neutral.
- To determine a passage's tone, a reader should examine the writer's
- Page numbers
- Font size
- Margin width
- Diction, imagery, and details
Correct answer: Diction, imagery, and details
Tone is revealed through diction, imagery, and the details a writer selects. Page numbers, font size, and margins carry no tonal information.
- A student trying to identify the tone of a paragraph would most usefully ask
- What attitude do the writer's word choices reveal toward the subject?
- How many words are in the paragraph?
- Where is the paragraph located on the page?
- How many times does the letter e appear?
Correct answer: What attitude do the writer's word choices reveal toward the subject?
Identifying tone means asking what attitude the writer's word choices reveal toward the subject. Word counts, page location, and letter frequency are irrelevant to tone.
- The dictionary definition of a word, independent of emotional associations, is its
- Connotation
- Denotation
- Syntax
- Allusion
Correct answer: Denotation
Denotation is the literal dictionary definition of a word. Connotation is the emotional association, syntax is sentence structure, and allusion is an indirect reference.
- A writer chooses 'thrifty' rather than 'cheap' to describe a character. This choice exploits the difference in the two words'
- Spellings
- Syllable counts
- Connotations
- Parts of speech
Correct answer: Connotations
'Thrifty' and 'cheap' share a similar meaning but carry different emotional associations, or connotations, with 'thrifty' being more positive. Spelling, syllables, and part of speech do not explain the choice.
- Language that departs from literal meaning to create an effect, including metaphor, simile, and personification, is collectively called
- Denotative language
- Citation
- Syntax
- Figurative language
Correct answer: Figurative language
Figurative language departs from literal meaning to create effects and includes metaphor, simile, and personification. Denotative language is literal, while citation and syntax are unrelated.
- In the sentence 'The new policy is a bridge between two warring departments,' calling the policy a bridge is an example of
- A metaphor
- A citation
- An understatement
- A denotation
Correct answer: A metaphor
Describing the policy as a bridge equates two unlike things without 'like' or 'as,' making it a metaphor, a form of figurative language. It is not a citation, understatement, or denotation.
- Descriptive language that appeals to the five senses to help readers visualize a scene is known as
- Citation
- Imagery
- Syntax
- Concession
Correct answer: Imagery
Imagery is descriptive language that appeals to the senses so readers can visualize a scene. Citation, syntax, and concession do not describe sensory description.
- A passage reads, 'Smoke clawed at our throats, and the acrid sting of ash settled on every surface.' This sentence relies most heavily on
- Statistics
- Citation
- Imagery
- Rhetorical questions
Correct answer: Imagery
References to clawing smoke, an acrid sting, and settling ash appeal to the senses, making this imagery. The sentence offers no statistics, citation, or questions.
- Placing two contrasting ideas, images, or characters side by side to highlight their differences is called
- Denotation
- Citation
- Anaphora
- Juxtaposition
Correct answer: Juxtaposition
Juxtaposition places contrasting elements side by side to highlight their differences. Denotation is literal meaning, citation credits sources, and anaphora is repetition.
- A writer follows a description of a gleaming new hospital with a description of a crumbling clinic next door. This deliberate pairing is an example of
- Juxtaposition
- Understatement
- Allusion
- Parallelism
Correct answer: Juxtaposition
Pairing the gleaming hospital with the crumbling clinic to spotlight their contrast is juxtaposition. It is not understatement, allusion, or parallelism.
- The device that places contrasting ideas in balanced, parallel grammatical structures, as in 'Many are called, but few are chosen,' is called
- Imagery
- Antithesis
- Citation
- Concession
Correct answer: Antithesis
Antithesis sets contrasting ideas in balanced, parallel structures, as in 'Many are called, but few are chosen.' Imagery, citation, and concession describe other features.
- Which sentence best illustrates antithesis?
- The river was wide and cold and deep.
- She walked quickly to the store.
- We must learn to live together as brothers or perish together as fools.
- The report contained many useful charts.
Correct answer: We must learn to live together as brothers or perish together as fools.
'Live together as brothers or perish together as fools' balances two opposing outcomes in parallel structure, the hallmark of antithesis. The other sentences contain no balanced contrast.
- The repetition of the same word or phrase at the beginning of successive clauses, as in 'We shall fight on the beaches, we shall fight on the landing grounds,' is called
- Denotation
- Juxtaposition
- Citation
- Anaphora
Correct answer: Anaphora
Repeating a word or phrase at the start of successive clauses, as in 'we shall fight,' is anaphora. Denotation, juxtaposition, and citation describe unrelated features.
- A writer begins three consecutive sentences with 'Let us...' to build momentum and emphasis. This pattern is an example of
- Anaphora
- Understatement
- Metaphor
- Denotation
Correct answer: Anaphora
Beginning consecutive sentences with the same phrase 'Let us' for emphasis is anaphora. Understatement, metaphor, and denotation do not describe initial repetition.
- The use of similar grammatical structures to express related ideas, as in 'reading makes a full man, conference a ready man, and writing an exact man,' is called
- Irony
- Parallelism
- Allusion
- Concession
Correct answer: Parallelism
Expressing related ideas in matching grammatical structures is parallelism, as in the balanced phrases about reading, conference, and writing. Irony, allusion, and concession are different devices.
- Which revision creates parallelism in the sentence 'She likes hiking, to swim, and biking'?
- She likes to hike, swimming, and bikes.
- She likes hiking, to swim, and to bike.
- She likes hiking, swimming, and biking.
- She likes the activities outdoors.
Correct answer: She likes hiking, swimming, and biking.
Listing 'hiking, swimming, and biking' uses matching -ing forms, creating parallelism. The other versions mix grammatical forms or remove the list entirely.
- An indirect reference to a well-known person, event, work, or text, expecting the reader to recognize it, is called an
- Analysis
- Citation
- Understatement
- Allusion
Correct answer: Allusion
An allusion is an indirect reference to a well-known person, event, or text that the reader is expected to recognize. It differs from analysis, citation, and understatement.
- When a writer describes a difficult journey as 'an odyssey,' the reference to Homer's epic is an example of
- An allusion
- A denotation
- A counterargument
- A parenthetical citation
Correct answer: An allusion
Calling a journey 'an odyssey' indirectly references Homer's epic, making it an allusion. It is not a denotation, counterargument, or citation.
- A statement in which the intended meaning is the opposite of the literal words, often to create humor or critique, is an example of
- Denotation
- Verbal irony
- Parallelism
- Citation
Correct answer: Verbal irony
Verbal irony occurs when the intended meaning is the opposite of the literal words. Denotation is literal meaning, while parallelism and citation are unrelated.
- During a downpour that ruins a picnic, a character says, 'What lovely weather we're having.' This statement is an example of
- Imagery
- Concession
- Irony
- Allusion
Correct answer: Irony
Praising 'lovely weather' during a ruinous downpour means the opposite of the literal words, making it irony. It is not imagery, concession, or allusion.
- Deliberately representing something as less significant than it actually is, as in calling a devastating flood 'a bit of rain,' is called
- Hyperbole
- Denotation
- Parallelism
- Understatement
Correct answer: Understatement
Understatement deliberately presents something as less significant than it is, as in calling a devastating flood 'a bit of rain.' Hyperbole is exaggeration, and the other choices are unrelated.
- After surviving a near-fatal accident, a writer remarks that the experience was 'somewhat inconvenient.' This remark is an example of
- Understatement
- Allusion
- Citation
- Anaphora
Correct answer: Understatement
Calling a near-fatal accident 'somewhat inconvenient' minimizes its seriousness, which is understatement. Allusion, citation, and anaphora do not describe this effect.
- A question posed for effect, to provoke thought rather than to elicit an answer, as in 'Who could remain silent in the face of such injustice?' is called a
- Citation
- Rhetorical question
- Concession
- Denotation
Correct answer: Rhetorical question
A rhetorical question is asked for effect rather than to get an answer, as in 'Who could remain silent in the face of such injustice?' Citation, concession, and denotation are different concepts.
- A writer ends a paragraph on climate inaction with 'How many more warnings do we need?' The most likely purpose of this rhetorical question is to
- Request a precise numerical answer from readers
- Cite an outside source
- Press readers to feel the urgency of acting now
- Define an unfamiliar term
Correct answer: Press readers to feel the urgency of acting now
The question 'How many more warnings do we need?' presses readers to feel urgency rather than to supply a number. It is not seeking a literal answer, a citation, or a definition.
- The analytical framework abbreviated SOAPSTone prompts readers to identify the speaker, occasion, audience, purpose, subject, and
- Title
- Topic sentence
- Transition
- Tone
Correct answer: Tone
In SOAPSTone, the final element is tone, completing speaker, occasion, audience, purpose, subject, and tone. Title, topic sentence, and transition are not part of the acronym.
- A reader using SOAPSTone to analyze a commencement address identifies the graduating students as the
- Audience
- Occasion
- Subject
- Tone
Correct answer: Audience
In SOAPSTone, the people being addressed are the audience, so graduating students at a commencement are the audience. The occasion is the ceremony, the subject is the topic, and tone is attitude.
- In analyzing a rhetorical situation using the framework of speaker, occasion, audience, purpose, and subject, the 'occasion' refers to
- The writer's emotional state
- The time, place, or context that gives rise to the text
- The grammatical structure of sentences
- The list of works cited
Correct answer: The time, place, or context that gives rise to the text
The occasion is the time, place, or context that gives rise to the text. It is not the writer's emotional state, the syntax, or the citations.
- Knowing that a writer addresses skeptical voters in order to win their support helps a reader analyze which two linked elements of the rhetorical situation?
- Imagery and tone
- Citation and syntax
- Audience and purpose
- Allusion and irony
Correct answer: Audience and purpose
Identifying whom the writer addresses and why connects audience and purpose, two core elements of the rhetorical situation. Imagery, tone, citation, syntax, allusion, and irony are not what this information establishes.
- When a multiple-choice question asks why a writer includes a particular paragraph, it is most directly testing the reader's understanding of the
- Author's birthplace
- Number of sentences
- Font choice
- Author's purpose
Correct answer: Author's purpose
Asking why a writer includes a paragraph tests understanding of the author's purpose. The author's birthplace, sentence count, and font choice are irrelevant to that question.
- On the Writing section of this exam, a question that asks a student to choose the most effective word or phrase to connect one idea to the next is testing the student's command of
- Transition words
- Works-cited formatting
- Poetic meter
- The author's biography
Correct answer: Transition words
Choosing the best word or phrase to connect ideas is a question about transition words, which signal relationships between sentences and paragraphs. Works-cited formatting, poetic meter, and biography are not what such an item evaluates.
- A draft reads: 'The new bus route reduced commute times. ______, ridership rose sharply within a month.' Which transition best signals that the second sentence presents a result of the first?
- Nevertheless
- In contrast
- On the other hand
- As a result
Correct answer: As a result
The phrase 'As a result' correctly signals that rising ridership is a consequence of the reduced commute times. 'Nevertheless,' 'In contrast,' and 'On the other hand' all signal contrast, which contradicts the cause-and-effect relationship.
- A draft reads: 'The committee praised the proposal's ambition. ______, members worried that its costs were unrealistic.' Which transition best signals the contrast between the two sentences?
- Therefore
- For example
- Similarly
- However
Correct answer: However
The word 'However' signals the contrast between praising the ambition and worrying about the costs. 'Therefore' signals a result, 'For example' introduces an illustration, and 'Similarly' signals likeness, none of which fit a contrast.
- When revising, a writer wants to add a sentence that gives a specific instance supporting the preceding general claim. The most appropriate transition to introduce that sentence would be
- In conclusion
- Despite this
- Meanwhile
- For instance
Correct answer: For instance
The phrase 'For instance' introduces a specific example that supports a preceding general claim. 'In conclusion' signals an ending, 'Despite this' signals contrast, and 'Meanwhile' signals simultaneous time, none of which introduce an example.
- A revising-and-editing question presents two short, choppy sentences and asks for the best way to merge them into a single, smoother sentence. This task is best described as
- Adding a citation
- Sentence combining
- Correcting spelling
- Identifying tone
Correct answer: Sentence combining
Merging two short sentences into one smoother sentence is sentence combining, a standard revising task. Adding a citation, correcting spelling, and identifying tone are unrelated to joining sentences.
- Which choice most effectively combines the sentences 'The lab released its findings. The findings surprised many researchers.' into one concise sentence?
- The lab released its findings. They surprised many researchers indeed.
- The lab released its findings, and the findings surprised researchers, and many were surprised.
- The lab, releasing findings, and researchers were surprised.
- The lab released its findings, which surprised many researchers.
Correct answer: The lab released its findings, which surprised many researchers.
Using the relative clause 'which surprised many researchers' joins the ideas concisely without repetition. The first choice leaves two sentences, the second is wordy and redundant, and the third is grammatically garbled.
- Which choice best combines 'The storm knocked out power. Residents lost electricity for three days.' while subordinating the less important idea?
- The storm knocked out power, and residents lost electricity, and it was three days.
- When the storm knocked out power, residents lost electricity for three days.
- The storm knocked out power. For three days, electricity was lost by residents.
- The storm, power, and residents were affected for three days.
Correct answer: When the storm knocked out power, residents lost electricity for three days.
Beginning with the subordinate clause 'When the storm knocked out power' joins the ideas and subordinates the cause to the main result. The first choice is wordy and coordinate, the third remains two sentences, and the fourth is incoherent.
- On the Writing section, a question may ask whether a writer should add or delete a particular sentence at a given point in a passage. The best basis for that decision is whether the sentence
- Contains more than ten words
- Uses an unusual font
- Contributes relevant support or logical flow to the passage
- Begins with a capital letter
Correct answer: Contributes relevant support or logical flow to the passage
A sentence should be added or kept when it contributes relevant support or logical flow, and deleted when it does not. Word count, font, and capitalization are mechanical features irrelevant to whether content belongs.
- A paragraph argues that urban gardens improve neighborhood health. A proposed sentence about the writer's favorite vacation spot should most likely be
- Deleted because it is irrelevant to the paragraph's focus
- Kept because every paragraph needs more sentences
- Kept because it adds personal interest
- Moved to the works-cited list
Correct answer: Deleted because it is irrelevant to the paragraph's focus
A sentence about a vacation spot is irrelevant to a paragraph on urban gardens and neighborhood health, so it should be deleted to preserve focus. Adding length or personal interest does not justify keeping off-topic material, and citations are not a place for stray sentences.
- A writer drafting a paragraph notices that readers may not understand a technical term used in the topic sentence. The writer would most reasonably decide to add a sentence that
- Repeats the topic sentence word for word
- Defines or clarifies the technical term
- Lists the writer's academic credentials
- Introduces an unrelated statistic
Correct answer: Defines or clarifies the technical term
Adding a sentence that defines or clarifies the technical term directly serves reader comprehension. Repeating the topic sentence adds nothing, listing credentials is off-topic, and an unrelated statistic does not clarify the term.
- On the Writing section, a question about giving proper credit to a source the writer has drawn from is testing the student's understanding of
- Sentence variety
- Figurative language
- Paragraph length
- In-text citation
Correct answer: In-text citation
Giving proper credit to a source within a passage is the function of in-text citation. Sentence variety, figurative language, and paragraph length do not concern crediting sources.
- A student paraphrases data from an article by Dr. Reyes published in 2023. To credit the source correctly within the sentence, the student should
- Omit any reference, since paraphrases need no credit
- Include an in-text citation identifying the source
- Place the entire article in the middle of the paragraph
- Change the data so it differs from the original
Correct answer: Include an in-text citation identifying the source
Even paraphrased material requires an in-text citation identifying the source. Paraphrases still need credit, the full article should not be inserted, and altering the data would misrepresent the source.
- An in-text citation in a research-based passage primarily serves to
- Increase the passage's word count
- Demonstrate the writer's vocabulary
- Point readers to the full source entry and credit the original author
- Vary the sentence rhythm
Correct answer: Point readers to the full source entry and credit the original author
An in-text citation points readers to the full source entry and credits the original author. It is not meant to pad length, showcase vocabulary, or vary rhythm.
- In MLA style, the entry for a source on the alphabetized list at the end of a paper appears under the heading
- Bibliography
- References
- Endnotes
- Works Cited
Correct answer: Works Cited
MLA style titles the alphabetized list of sources 'Works Cited.' 'References' is APA style, while 'Bibliography' and 'Endnotes' are different conventions.
- A standard MLA works-cited entry for a book begins with which element?
- The author's last name, then first name
- The publication year
- The publisher's city
- The page numbers
Correct answer: The author's last name, then first name
An MLA works-cited entry begins with the author's last name followed by the first name, which allows alphabetical ordering. The publication year, publisher's city, and page numbers appear later in the entry, not first.
- Which MLA in-text citation correctly credits a quotation taken from page 47 of a work by an author named Patel?
- (Patel, page 47)
- (47, Patel)
- (Patel 47)
- (Patel, 2024)
Correct answer: (Patel 47)
MLA in-text style places the author's last name and the page number with no comma or the word 'page,' giving (Patel 47). The version with 'page 47' adds an unneeded word, the reversed order is wrong, and including the year follows APA rather than MLA.
- A parenthetical citation placed at the end of a borrowed sentence typically appears
- In the heading of the paper
- Before the borrowed material begins
- After the closing quotation mark and before the period
- Only in a footnote at the bottom of the page
Correct answer: After the closing quotation mark and before the period
An MLA parenthetical citation falls after the closing quotation mark and before the sentence's final period. It does not belong in the heading, before the material, or solely in a footnote.
- When a writer integrates a source's idea and places the author and page in parentheses at the end of the sentence, the writer is using a
- Topic sentence
- Parenthetical citation
- Rhetorical question
- Transition phrase
Correct answer: Parenthetical citation
Placing the author and page in parentheses at the end of a sentence is a parenthetical citation. A topic sentence, rhetorical question, and transition phrase serve entirely different functions.
- If a writer names the author within the sentence itself, as in 'According to Lopez, the policy failed,' the parenthetical citation at the end of the sentence should typically contain
- The author's name again
- The full title of the work
- Only the page number
- The date of access
Correct answer: Only the page number
When the author is already named in the sentence, the parenthetical citation needs only the page number to avoid redundancy. Repeating the name, listing the full title, or adding an access date would be unnecessary or incorrect here.
- A modifier that is placed so far from the word it describes that the sentence becomes confusing is called a
- Misplaced modifier
- Parenthetical citation
- Topic sentence
- Transition
Correct answer: Misplaced modifier
A modifier set too far from the word it describes is a misplaced modifier, which creates confusion. A parenthetical citation, topic sentence, and transition are unrelated to this error.
- Which revision corrects the modifier problem in 'Walking to school, the rain soaked Maria's backpack'?
- Walking to school, the backpack of Maria was soaked by the rain.
- The rain, walking to school, soaked Maria's backpack.
- Walking to school, Maria felt the rain soak her backpack.
- Soaked by the rain, walking to school happened to the backpack.
Correct answer: Walking to school, Maria felt the rain soak her backpack.
Placing 'Maria' right after the introductory phrase makes her the one walking to school, fixing the dangling modifier. The other versions still attach the walking to the rain or the backpack, or scramble the sentence entirely.
- In the sentence 'She nearly drove her kids to school every day,' moving the word 'nearly' would most improve clarity if the writer means that she drove them on almost every day. The best revision places 'nearly' before
- The word 'drove'
- The word 'every'
- The word 'kids'
- The word 'school'
Correct answer: The word 'every'
Placing 'nearly' before 'every' yields 'nearly every day,' which conveys that she drove them on almost all days. Keeping 'nearly' before 'drove' wrongly suggests she almost drove but did not, and the other placements do not capture the intended meaning.
- On the Writing section, a question that asks for the word that best conveys the writer's intended tone or precise meaning is testing the skill of
- Citation formatting
- Word choice
- Paragraph counting
- Rhyme scheme
Correct answer: Word choice
Selecting the word that best conveys intended tone or meaning is a question of word choice. Citation formatting, paragraph counting, and rhyme scheme are not what such an item measures.
- A writer revising a formal report wants to replace the casual word 'kids' with a term suited to the report's serious tone. The most appropriate replacement would be
- Youngsters
- Tots
- Children
- Little ones
Correct answer: Children
The word 'children' carries a neutral, formal register appropriate to a serious report. 'Youngsters,' 'tots,' and 'little ones' are more casual or affectionate and clash with the report's tone.
- To describe a leader's firm refusal to change course in a way that conveys admiration rather than criticism, a writer would best choose the word
- Stubborn
- Obstinate
- Resolute
- Pigheaded
Correct answer: Resolute
The word 'resolute' carries a positive connotation of admirable firmness. 'Stubborn,' 'obstinate,' and 'pigheaded' all suggest unreasonable inflexibility and convey criticism rather than admiration.
- When a Writing-section question asks how a sentence's structure could be revised to better convey the writer's tone or emphasis, it is testing the writer's control of
- Syntax
- Citation
- Alphabetization
- Page layout
Correct answer: Syntax
Revising sentence structure to convey tone or emphasis is a matter of syntax. Citation, alphabetization, and page layout are mechanical concerns unrelated to sentence construction.
- A writer wants to emphasize a single dramatic outcome after a long buildup. The most effective syntactic choice would be to
- Bury the outcome in the middle of a long compound sentence
- End with a short, direct sentence stating the outcome
- Break the outcome across several semicolons
- Omit the outcome and let readers infer it
Correct answer: End with a short, direct sentence stating the outcome
Ending with a short, direct sentence after a long buildup gives the outcome emphasis through contrast in sentence length. Burying it, fragmenting it across semicolons, or omitting it all weaken the emphasis.
- Reordering a sentence so that the most important idea lands at the end, in the emphatic position, is a revision aimed at improving the sentence's
- Spelling
- Syntax for emphasis
- Citation accuracy
- Margin width
Correct answer: Syntax for emphasis
Placing the most important idea in the emphatic final position is a syntactic revision for emphasis. Spelling, citation accuracy, and margin width have nothing to do with where ideas fall in a sentence.
- The Writing section of this exam consists of multiple-choice questions that ask students to make decisions about
- Revising and editing passages
- Reciting poems from memory
- Translating Latin texts
- Diagramming family trees
Correct answer: Revising and editing passages
The Writing section asks students to make decisions about revising and editing passages. Reciting poems, translating Latin, and diagramming family trees are not part of the exam.
- When editing a draft, a writer who checks for clarity, conciseness, correct grammar, and effective word choice is engaged in
- Prewriting
- Memorizing
- Revising and editing
- Summarizing a novel
Correct answer: Revising and editing
Checking a draft for clarity, conciseness, grammar, and word choice is the work of revising and editing. Prewriting comes before drafting, while memorizing and summarizing a novel are unrelated activities.
- A revising decision differs from a simple proofreading correction primarily because revising
- Only fixes typographical errors
- Reshapes content, structure, or clarity, not just surface mistakes
- Is concerned solely with the cover page
- Always shortens the passage
Correct answer: Reshapes content, structure, or clarity, not just surface mistakes
Revising reshapes content, structure, or clarity, going beyond the surface fixes of proofreading. It is not limited to typos, the cover page, or always shortening the text.
- When the ideas in a paragraph flow logically and connect smoothly so the reader can follow the argument, the paragraph is said to have
- Coherence and cohesion
- Hyperbole
- A misplaced modifier
- Verbal irony
Correct answer: Coherence and cohesion
A paragraph whose ideas flow logically and connect smoothly has coherence and cohesion. Hyperbole, a misplaced modifier, and verbal irony describe unrelated features or errors.
- A writer notices that a paragraph's sentences each make sense but seem disconnected from one another. The most effective revision to improve cohesion would be to
- Add transitional words and clear referents linking the sentences
- Increase the font size of the paragraph
- Add a parenthetical citation to each sentence
- Break the paragraph into single-word lines
Correct answer: Add transitional words and clear referents linking the sentences
Adding transitional words and clear referents links sentences and improves cohesion. Changing font size, citing every sentence, or breaking the text into one-word lines does nothing to connect ideas.
- On the Writing section, an item asking which sentence, if added, would best help the paragraph stay focused on a single controlling idea is testing
- Rhyme
- Coherence and cohesion
- Handwriting
- Footnote placement
Correct answer: Coherence and cohesion
Keeping a paragraph focused on a single controlling idea is a matter of coherence and cohesion. Rhyme, handwriting, and footnote placement are not what such an item evaluates.
- A draft reads: 'Solar panels cut energy bills over time. ______, the upfront installation cost can be steep.' Which transition best fits the relationship between the sentences?
- Consequently
- Still
- For example
- In addition
Correct answer: Still
The word 'Still' signals the contrast between the long-term savings and the steep upfront cost. 'Consequently' signals a result, 'For example' introduces an illustration, and 'In addition' signals an addition, none of which capture the contrast.
- Which choice best combines 'The author revised the manuscript twice. The editor still requested more changes.' using a transition that shows contrast?
- The author revised the manuscript twice; therefore, the editor requested more changes.
- The author revised the manuscript twice, and the editor requested more changes also too.
- The author revised the manuscript twice, yet the editor still requested more changes.
- The author revised the manuscript twice because the editor requested more changes.
Correct answer: The author revised the manuscript twice, yet the editor still requested more changes.
Joining the clauses with 'yet' shows the contrast between the author's revisions and the editor's continued demands. 'Therefore' signals a result, the second choice is redundant, and 'because' wrongly reverses the cause-and-effect.
- A proposed sentence repeats information already stated clearly two sentences earlier and adds nothing new. In revising, the writer should most likely
- Keep it for emphasis through repetition
- Delete it to avoid needless redundancy
- Move it to the works-cited list
- Convert it into a rhetorical question
Correct answer: Delete it to avoid needless redundancy
A sentence that merely repeats prior information without adding anything should be deleted to avoid needless redundancy. Keeping it does not aid emphasis here, citations are not a place for it, and turning it into a question would not solve the repetition.
- When a writer borrows a direct quotation, the in-text citation chiefly allows readers to
- Locate the original source and verify the quotation
- Judge the writer's handwriting
- Count the paragraphs in the essay
- Identify the writer's hometown
Correct answer: Locate the original source and verify the quotation
An in-text citation lets readers locate the original source and verify the borrowed quotation. It says nothing about handwriting, paragraph count, or the writer's hometown.
- In an MLA works-cited entry, the title of a complete book is presented in
- Quotation marks
- Italics
- All capital letters
- Bold underline
Correct answer: Italics
MLA style italicizes the title of a complete, self-contained work such as a book. Quotation marks are reserved for shorter works like articles, and all capitals or bold underline are not MLA conventions.
- A writer quotes a poem that has no page numbers but uses numbered lines. In MLA style, the parenthetical citation should refer to the
- Line numbers
- Chapter title
- Publisher name
- Font of the poem
Correct answer: Line numbers
For a poem with numbered lines and no pages, MLA directs the writer to cite line numbers. A chapter title, publisher name, and font are not used in this parenthetical citation.
- Which sentence corrects the misplaced modifier in 'Covered in chocolate, the children devoured the strawberries'?
- Covered in chocolate, the strawberries were devoured by the children.
- The children, covered in chocolate, devoured the strawberries quickly.
- Devouring the strawberries, the chocolate covered them.
- The children devoured covered in chocolate the strawberries.
Correct answer: Covered in chocolate, the strawberries were devoured by the children.
Placing 'Covered in chocolate' next to 'the strawberries' makes the strawberries, not the children, the chocolate-covered item, which is the intended meaning. The other versions describe the children as chocolate-covered or scramble the word order.
- A writer wants to revise 'The plan is good' to convey a more precise, confident endorsement suited to a professional memo. The strongest revision would be
- The plan is pretty okay overall.
- The plan is sound and well supported.
- The plan is kind of nice.
- The plan is good, I guess.
Correct answer: The plan is sound and well supported.
Describing the plan as 'sound and well supported' offers precise, confident praise fitting a professional memo. The other options are vague, casual, or hedging, weakening the endorsement.
- A writer revising for syntax wants to vary a passage that consists entirely of short, identical-length sentences. The most effective revision would be to
- Combine some sentences and vary their length and openings
- Capitalize every noun in the passage
- Add a citation after each sentence
- Convert all sentences into questions
Correct answer: Combine some sentences and vary their length and openings
Combining some sentences and varying their length and openings creates sentence variety and improves syntax. Capitalizing nouns, adding citations everywhere, or turning all sentences into questions does not address monotonous structure.
- When editing, a writer reorders a paragraph so its ideas progress from cause to effect rather than appearing in random order. This change most directly improves the paragraph's
- Coherence and cohesion
- Page count
- Font choice
- Rhyme
Correct answer: Coherence and cohesion
Arranging ideas in a logical cause-to-effect progression improves coherence and cohesion. Page count, font choice, and rhyme are unaffected by the logical ordering of ideas.
- A draft reads: 'The first experiment confirmed the hypothesis. ______, the second experiment produced identical results.' Which transition best fits an additional supporting point?
- Nonetheless
- However
- Likewise
- In contrast
Correct answer: Likewise
The word 'Likewise' signals that the second experiment adds a similar, supporting result. 'Nonetheless,' 'However,' and 'In contrast' all signal contrast, which does not fit two confirming experiments.
- Which choice best combines 'The library extended its hours. Students gained more time to study.' so the result is clearly subordinated to the cause?
- The library extended its hours, giving students more time to study.
- The library extended its hours. More time to study was gained.
- The library extended its hours, and more time, students gained it.
- The library and the students extended hours and time.
Correct answer: The library extended its hours, giving students more time to study.
Using the participial phrase 'giving students more time to study' subordinates the result to the cause in one smooth sentence. The second choice remains two sentences, while the third and fourth are awkward or incoherent.
- A persuasive paragraph would most benefit from adding a sentence that
- Introduces the writer's unrelated hobby
- Provides relevant evidence supporting the paragraph's claim
- Repeats the topic sentence verbatim
- Lists random page numbers
Correct answer: Provides relevant evidence supporting the paragraph's claim
Adding a sentence that provides relevant evidence strengthens the paragraph's claim. An unrelated hobby, a verbatim repetition, or random page numbers add nothing useful to the argument.
- An MLA in-text citation for a source with two authors named Kim and Garcia should appear as
- (Kim and Garcia 12)
- (Kim, Garcia, page 12)
- (12 Kim Garcia)
- (Kim/Garcia 2024)
Correct answer: (Kim and Garcia 12)
MLA joins two authors' last names with 'and' followed by the page number, giving (Kim and Garcia 12). Adding the word 'page,' reversing the order, using a slash, or inserting the year all depart from MLA style.
- A draft reads: 'Critics dismissed the early prototype. ______, the final version won an international design award.' Which transition best signals the reversal between the two sentences?
- Furthermore
- Ultimately
- Likewise
- For example
Correct answer: Ultimately
The word 'Ultimately' best signals the reversal from the dismissed prototype to the award-winning final version by marking the eventual outcome. 'Furthermore' and 'Likewise' add or compare similar points, and 'For example' introduces an illustration, none of which capture the turnaround.
- A writer building a case for a new park first cites a study, then quotes a city planner, then describes a thriving park in a neighboring town. A question asks why these three pieces of support appear in this order. This question chiefly tests a reader's ability to analyze
- The writer's diction and word connotations
- How the arrangement of evidence develops the argument
- The grammatical parallelism of the sentences
- The literal denotation of each cited source
Correct answer: How the arrangement of evidence develops the argument
The answer is how the arrangement of evidence develops the argument. A question about why support is sequenced in a particular order targets organization, which is how a writer arranges material to build a case. Diction and denotation concern word meaning, and parallelism concerns grammatical structure, none of which is what an ordering question examines.
- A passage opens with a startling statistic, then narrows to a single human story, and ends with a broad call to act. A reader who traces this movement from wide to narrow to wide again is analyzing the passage's
- Denotative vocabulary
- Use of allusion
- Literal subject matter only
- Structure
Correct answer: Structure
The answer is structure. Tracing how a passage moves from broad to narrow and back describes its organizational shape, which is its structure. Denotation and allusion concern individual words or references, and identifying the literal subject is comprehension rather than structural analysis.
- A writer chooses the word 'mob' instead of 'crowd' to describe a group of protesters. A question about why this word matters is testing a reader's grasp of
- Exigence
- Structure
- Connotation
- Syntax
Correct answer: Connotation
The answer is connotation. 'Mob' and 'crowd' can point to the same group, but 'mob' carries hostile, unruly associations, so the difference lies in connotation, the emotional coloring beyond a word's literal meaning. Syntax concerns sentence arrangement, structure concerns whole-passage organization, and exigence is the situation prompting the writing.
- In a multiple-choice question, students are asked which choice best captures a passage's main idea. To answer reliably, a reader should
- Identify the central claim the whole passage supports
- Choose the broadest possible statement regardless of the passage
- Select the answer that repeats the most words from the passage
- Pick the first idea the passage mentions
Correct answer: Identify the central claim the whole passage supports
The answer is identify the central claim the whole passage supports. A main-idea question rewards the choice that captures the overarching point every part of the passage reinforces. Word-repetition, automatic breadth, and first-mentioned ideas are traps because none guarantees alignment with the passage's actual thesis.
- A writer pairs a tender description of a soldier's homecoming with a clinical list of war casualties in the next paragraph. A reader analyzing why these passages sit side by side is examining the effect of
- A rhetorical question
- Juxtaposition
- Alliteration
- Denotation
Correct answer: Juxtaposition
The answer is juxtaposition. Placing a tender scene next to a clinical casualty list to sharpen contrast is juxtaposition, the deliberate positioning of contrasting material. Alliteration is repeated initial sounds, denotation is literal meaning, and a rhetorical question is a question asked for effect, none of which names this contrast technique.
- A question asks how the shift from past tense to present tense midway through a passage affects the reader. Answering this question requires analyzing the writer's
- Use of grammatical choices for effect
- Allusions to other texts
- Selection of a single key statistic
- Underlying logical fallacy
Correct answer: Use of grammatical choices for effect
The answer is use of grammatical choices for effect. A tense shift is a grammatical decision, and asking about its impact tests how such choices shape meaning and reader experience. Allusions, statistics, and fallacies are unrelated to a deliberate change in verb tense.
- A reader is asked to determine the meaning of the word 'arrest' as it appears in the line 'the painting arrests the eye.' The most reliable strategy is to
- Use the word's most common dictionary meaning
- Assume the word is used ironically
- Substitute the meaning that fits the surrounding context
- Replace it with its strongest synonym
Correct answer: Substitute the meaning that fits the surrounding context
The answer is substitute the meaning that fits the surrounding context. 'Arrest' here means to seize or hold attention, a meaning revealed only by the surrounding words, so context determines the intended sense. The most common meaning (to detain), an assumption of irony, and a strongest-synonym rule can all mislead when a word is used in a less familiar sense.
- A writer addresses an editorial to lawmakers who are skeptical of a proposed tax. Knowing the intended readers are skeptical lawmakers most directly helps a reader analyze the passage's
- Denotative vocabulary
- Use of figurative language
- Line-level syntax only
- Audience and how it shapes the writer's appeals
Correct answer: Audience and how it shapes the writer's appeals
The answer is audience and how it shapes the writer's appeals. Identifying who the writer is trying to reach, here skeptical lawmakers, frames how the writer tailors persuasion to overcome resistance. Figurative language, denotation, and syntax are local features that do not depend on knowing the audience.
- A passage repeatedly uses words such as 'crumbling,' 'neglected,' and 'forgotten' to describe a school building. The cumulative effect of these word choices most directly shapes the passage's
- Tone
- Use of statistics
- Sentence length
- Thesis placement
Correct answer: Tone
The answer is tone. A pattern of bleak words like 'crumbling' and 'forgotten' builds an attitude of dismay or sympathy, which is tone, the writer's attitude conveyed through language. Sentence length is syntax, statistics are evidence, and thesis placement is structure, none of which is created by emotionally loaded word choice.
- A multiple-choice question asks what assumption a writer must hold for the claim 'we should fund libraries because reading builds empathy' to be persuasive. The unstated belief the argument depends on is best termed its
- Underlying assumption
- Rhetorical question
- Concession
- Counterargument
Correct answer: Underlying assumption
The answer is underlying assumption. The argument silently relies on the belief that building empathy is a worthy goal worth funding, an unstated premise the reasoning needs, which is an underlying assumption. A counterargument is an opposing view, a rhetorical question is asked for effect, and a concession grants a point to the other side.
- A writer arranges an essay as problem, then cause, then proposed solution. A question asking how this arrangement advances the writer's purpose is testing the reader's analysis of
- Connotation
- Organization
- Diction
- Tone
Correct answer: Organization
The answer is organization. The problem-cause-solution sequence is a way of arranging ideas to guide readers toward action, so analyzing its effect examines organization. Diction and connotation concern word choice, and tone concerns attitude, none of which describes a passage-level arrangement of parts.
- A passage states that a policy 'might,' 'could,' and 'in some cases may' reduce costs. A reader who studies how these hedging words shape the argument is analyzing the writer's
- Use of qualifiers and their effect on the claim
- Parallel structure
- Use of imagery
- Allusions
Correct answer: Use of qualifiers and their effect on the claim
The answer is use of qualifiers and their effect on the claim. Words like 'might' and 'may' limit how strongly a claim is asserted, so studying them analyzes qualifiers and their effect. Allusions are references, parallelism is matched grammar, and imagery is sensory language, none of which describes hedging words.
- A reader is asked which choice best states the writer's purpose in a passage that explains, without arguing, how vaccines train the immune system. The purpose is best described as
- To persuade readers to change a behavior
- To refute an opposing claim
- To entertain readers with a story
- To inform readers about a process
Correct answer: To inform readers about a process
The answer is to inform readers about a process. A passage that explains how something works without taking a side aims to inform. Persuading, entertaining, and refuting all involve aims the passage does not pursue, since it advances no position and tells no story.
- A writer describes grief as 'a sea that has no far shore.' A question about the impact of this comparison tests a reader's understanding of
- Denotation
- Counterargument
- Figurative language
- Syntax
Correct answer: Figurative language
The answer is figurative language. Comparing grief to a shoreless sea is a metaphor, a non-literal comparison, which is figurative language. Denotation is literal meaning, syntax is sentence structure, and counterargument is an opposing view, none of which describes a metaphor.
- A passage uses the line 'The reforms promised much; the reforms delivered little; the reforms vanished.' A question about why each clause begins the same way tests a reader's grasp of
- Anaphora
- Exigence
- Allusion
- Denotation
Correct answer: Anaphora
The answer is anaphora. Repeating 'the reforms' at the start of successive clauses is anaphora, the deliberate repetition of an opening word or phrase for emphasis. Denotation is literal meaning, allusion is a reference to another work, and exigence is the situation prompting writing.
- A reader notices that a paragraph relies on a string of short, clipped sentences during a moment of panic in a narrative essay. A question about this pattern asks the reader to analyze the effect of the writer's
- Thesis
- Denotation
- Syntax
- Allusion
Correct answer: Syntax
The answer is syntax. Short, clipped sentences are a deliberate arrangement of words and clauses, so examining their effect analyzes syntax, the structure of sentences. Denotation concerns word meaning, allusion concerns references, and thesis concerns the central claim, none of which is sentence construction.
- A writer calls a politician's vague apology 'a masterclass in saying nothing at length.' A question about this remark tests a reader's recognition of
- Imagery
- Denotation
- Parallelism
- Verbal irony
Correct answer: Verbal irony
The answer is verbal irony. Praising an empty apology as a 'masterclass' means the opposite of the literal words, which is verbal irony. Imagery is sensory description, denotation is literal meaning, and parallelism is matched grammatical structure, none of which captures this mocking reversal.
- A multiple-choice question asks how the second paragraph relates to the first, where the first introduces a popular belief and the second presents evidence against it. The relationship is best described as
- The second summarizes the first
- The second restates the first
- The second contradicts or complicates the first
- The second illustrates the first with an example
Correct answer: The second contradicts or complicates the first
The answer is the second contradicts or complicates the first. Presenting evidence against a belief introduced earlier sets the paragraphs in tension, so the second contradicts or complicates the first. Restating, summarizing, and illustrating all describe agreement or expansion, which does not match a paragraph offering counter-evidence.
- A writer ends an essay on conservation by returning to the image of a single tree introduced in the opening line. A question about this choice tests a reader's analysis of how the writer uses
- A statistical appeal
- A framing device for unity and emphasis
- A logical fallacy
- Specialized jargon
Correct answer: A framing device for unity and emphasis
The answer is a framing device for unity and emphasis. Returning at the close to an image from the opening frames the essay, creating unity and emphasis. A logical fallacy is a reasoning error, a statistical appeal cites numbers, and jargon is specialized vocabulary, none of which describes echoing an opening image at the end.
- A passage describes a crowded market with the words 'the clang of bells, the sting of spice, the press of bodies.' A question about these details tests a reader's recognition of the writer's use of
- Qualifier
- Concession
- Imagery
- Anaphora
Correct answer: Imagery
The answer is imagery. Appeals to hearing, smell, and touch through 'clang,' 'sting,' and 'press' create imagery, sensory language that helps readers experience a scene. A concession grants a point, a qualifier limits a claim, and anaphora repeats an opening phrase, none of which names sensory description.
- A writer concedes, 'Critics rightly note that the plan is costly,' before arguing the cost is worth it. A question about this move tests a reader's grasp of the writer's use of
- Concession
- Allusion
- Hyperbole
- Imagery
Correct answer: Concession
The answer is concession. Acknowledging that critics are 'rightly' worried about cost grants an opposing point before countering it, which is a concession. Imagery is sensory language, hyperbole is exaggeration, and allusion is a reference, none of which describes granting validity to the other side.
- A reader is asked which choice best describes the overall tone of an essay that mixes affection with gentle teasing toward a hometown. The most accurate description would be
- Bitter and accusatory
- Alarmed and urgent
- Detached and clinical
- Fond and good-humored
Correct answer: Fond and good-humored
The answer is fond and good-humored. Affection combined with gentle teasing produces a warm, lightly humorous attitude, which is fond and good-humored. Bitter, detached, and alarmed each describe attitudes incompatible with affection and gentle teasing.
- A writer warns, 'If we lose this wetland, we lose the birds; if we lose the birds, we lose the season's first song.' A question about this pattern of building clauses tests a reader's grasp of how the writer uses
- An allusion to a classical text
- Parallel structure to build emphasis
- Denotation to clarify meaning
- A hasty generalization
Correct answer: Parallel structure to build emphasis
The answer is parallel structure to build emphasis. The matched 'if we lose... we lose...' clauses repeat a grammatical pattern to mount intensity, which is parallel structure used for emphasis. Denotation concerns literal meaning, allusion is a reference, and a hasty generalization is a reasoning flaw, none of which describes balanced clause construction.
- A question asks why a writer opens an argument by recounting a brief personal anecdote about a childhood illness. The most likely purpose of this opening is to
- Provide statistical proof for the thesis
- Engage readers and establish a personal stake
- Define a technical term
- Concede the opposing view
Correct answer: Engage readers and establish a personal stake
The answer is engage readers and establish a personal stake. A personal anecdote at the start draws readers in and signals that the writer has lived experience with the topic. It is not numerical proof, a definition, or a concession, since a single personal story does none of those.
- A writer chooses elevated, formal vocabulary and long, balanced sentences in an address to a panel of judges. A question about this level of language tests a reader's analysis of the writer's
- Use of irony
- Logical fallacies
- Use of imagery
- Diction and its fit with the audience
Correct answer: Diction and its fit with the audience
The answer is diction and its fit with the audience. Selecting formal, elevated vocabulary for a panel of judges is a matter of diction matched to a serious audience. Imagery is sensory detail, irony is meaning reversed, and fallacies are reasoning errors, none of which describes the level of word choice.
- A reader is asked how a single transitional word such as 'however' shapes the relationship between two sentences. Answering tests the reader's attention to
- How a transition signals a logical shift
- The denotation of an unrelated term
- The writer's use of imagery
- The passage's overall thesis
Correct answer: How a transition signals a logical shift
The answer is how a transition signals a logical shift. 'However' marks a contrast or reversal between ideas, so studying it examines how a transition signals a logical relationship. The overall thesis, imagery, and an unrelated denotation are not what a single contrastive transition reveals.
- A writer describes a corporation's growth as 'a tide that lifted some boats and drowned others.' A question about this comparison tests a reader's recognition of
- Concession
- Anaphora
- Qualifier
- Metaphor
Correct answer: Metaphor
The answer is metaphor. Describing corporate growth as a tide that lifts and drowns is a non-literal comparison, which is a metaphor. A concession grants a point, a qualifier limits a claim, and anaphora repeats an opening phrase, none of which names a comparison of unlike things.
- A passage closes with 'And so the question is no longer whether we can act, but whether we will.' A question about this ending tests a reader's recognition of how the writer uses
- A logical fallacy
- Antithesis to sharpen a final choice
- Specialized jargon
- A sensory image
Correct answer: Antithesis to sharpen a final choice
The answer is antithesis to sharpen a final choice. Contrasting 'can act' with 'will' in balanced phrasing sets opposing ideas against each other, which is antithesis, here used to drive home a decision. A sensory image, a fallacy, and jargon do not describe this balanced contrast of ideas.
- A reader is asked to identify the claim that a passage argues for throughout. This central, overarching assertion is best termed the passage's
- Concession
- Anecdote
- Thesis
- Qualifier
Correct answer: Thesis
The answer is thesis. The central assertion an entire passage works to support is its thesis. A concession grants a rival point, an anecdote is a brief story, and a qualifier limits a claim, none of which is the overarching position itself.
- A writer asks, 'How long can a society ignore the warnings of its own scientists?' and offers no direct answer. A question about this sentence tests a reader's recognition of
- A rhetorical question
- Denotation
- A concession
- An allusion
Correct answer: A rhetorical question
The answer is a rhetorical question. A question posed for effect rather than to receive a reply is a rhetorical question. An allusion is a reference, a concession grants an opposing point, and denotation is literal meaning, none of which describes a question asked to provoke thought.
- A reader is asked how a writer's repeated use of the pronoun 'we' affects a passage urging civic action. Answering tests the reader's analysis of how pronoun choice
- Establishes the literal definition of a term
- Signals a tense shift
- Builds a sense of shared responsibility with readers
- Creates a logical fallacy
Correct answer: Builds a sense of shared responsibility with readers
The answer is builds a sense of shared responsibility with readers. Repeated use of 'we' includes readers in the writer's cause, fostering a sense of shared responsibility. It does not define a term, create a fallacy, or signal a tense shift, since those involve different features of language.
- A writer presents three examples of corporate misconduct, each more severe than the last, before stating the central claim. A question about this sequence tests a reader's grasp of how the writer uses
- An allusion
- Denotation
- Imagery
- Arrangement of evidence to build toward a claim
Correct answer: Arrangement of evidence to build toward a claim
The answer is arrangement of evidence to build toward a claim. Ordering examples from least to most severe before the main point is a deliberate arrangement that intensifies the case, an aspect of organization. Imagery, denotation, and allusion concern word-level or referential features, not the sequencing of evidence.
- A passage refers to a leader's decision as crossing 'his own Rubicon.' A question about this phrase tests a reader's recognition of
- Concession
- Allusion
- Qualifier
- Imagery
Correct answer: Allusion
The answer is allusion. Naming a 'Rubicon' references Caesar's irreversible river crossing, an indirect nod to a well-known historical event, which is allusion. Imagery is sensory description, a concession grants a point, and a qualifier limits a claim, none of which is a reference expecting recognition.
- A reader is asked how the writer's shift from a calm, measured opening to a passionate, urgent close affects the passage. Answering tests the reader's analysis of
- The denotation of a key word
- The use of parallel structure
- A shift in tone and its effect
- An unstated assumption
Correct answer: A shift in tone and its effect
The answer is a shift in tone and its effect. Moving from calm to passionate is a change in the writer's attitude, which is a tone shift, and analyzing its impact is the task. Denotation, parallel structure, and unstated assumptions concern different features unrelated to a change in attitude across the passage.
- A writer describes a flooded town and then a sun-baked drought region in the next section to underscore a region's instability. A question about pairing these scenes tests a reader's grasp of the writer's use of
- Contrast
- Alliteration
- Denotation
- A rhetorical question
Correct answer: Contrast
The answer is contrast. Setting a flood scene beside a drought scene highlights difference to make a point, which is contrast. Alliteration is repeated initial sounds, denotation is literal meaning, and a rhetorical question is asked for effect, none of which describes pairing opposing scenes.
- A multiple-choice question asks which choice best paraphrases a complex sentence from a passage. The best paraphrase will
- Add the reader's own opinion of the idea
- Quote the sentence word for word
- Restate the sentence's meaning accurately in different words
- Summarize the entire passage instead
Correct answer: Restate the sentence's meaning accurately in different words
The answer is restate the sentence's meaning accurately in different words. A sound paraphrase preserves the original meaning while rewording it, neither adding opinion nor copying the wording. Quoting verbatim is not paraphrasing, and summarizing the whole passage exceeds the scope of one sentence.
- A writer praises a rival's plan as 'admirably thorough' just before exposing its hidden flaws. A question about this opening move tests a reader's recognition of how the writer uses
- Specialized jargon
- A sensory image
- A hasty generalization
- Apparent praise to set up a critique
Correct answer: Apparent praise to set up a critique
The answer is apparent praise to set up a critique. Calling a rival's plan 'admirably thorough' before dismantling it uses seeming praise as a setup for criticism. A sensory image, a hasty generalization, and jargon describe unrelated features and do not capture this strategic compliment.
- A reader is asked how a writer's choice to define an unfamiliar term early in an essay serves the argument. The most likely purpose of this definition is to
- Introduce a counterargument
- Ensure readers share the writer's understanding before the argument proceeds
- Create irony
- Exaggerate the importance of the topic
Correct answer: Ensure readers share the writer's understanding before the argument proceeds
The answer is ensure readers share the writer's understanding before the argument proceeds. Defining a key term up front gives readers a common starting point so the reasoning that follows is clear. It is not exaggeration, irony, or a counterargument, since a clarifying definition serves comprehension rather than those aims.
- A passage uses the line 'Speak softly, and the truth will carry; shout, and only the echo remains.' A question about this construction tests a reader's grasp of how the writer uses
- An anecdote to engage readers
- Balanced contrast to make a point memorable
- A qualifier to limit a claim
- Denotation to define a term
Correct answer: Balanced contrast to make a point memorable
The answer is balanced contrast to make a point memorable. Setting 'speak softly' against 'shout' in matched, opposing clauses uses balanced contrast to make the idea stick. Denotation defines words, an anecdote tells a story, and a qualifier limits a claim, none of which describes paired contrasting clauses.
- A reader is asked which choice best describes the function of a paragraph that interrupts a chain of evidence to address a likely objection. The paragraph's function is best described as
- Providing sensory imagery
- Defining a technical term
- Restating the thesis
- Anticipating and answering a counterargument
Correct answer: Anticipating and answering a counterargument
The answer is anticipating and answering a counterargument. A paragraph that pauses the evidence to address a likely objection raises and responds to a counterargument, strengthening the case. It is not restating the thesis, supplying imagery, or defining a term, since those do not involve confronting an opposing view.
- A senator argues that because untreated wounds spread infection, untreated social problems likewise spread through a community if ignored. By drawing this comparison between two situations, the senator is using
- A parenthetical citation
- An analogy to clarify the argument
- An understatement
- A denotative definition
Correct answer: An analogy to clarify the argument
The answer is the analogy: comparing untreated wounds to untreated social problems draws a parallel between two situations to clarify the point. It is not a citation, an understatement, or a literal definition.
- A writer describes a small backyard garden as 'a jungle so vast you could lose a week wandering its paths.' This exaggeration for effect is best identified as
- Hyperbole
- Litotes
- A concession
- A citation
Correct answer: Hyperbole
The answer is hyperbole: calling a small garden a 'vast jungle' where one could be lost for a week is a deliberate exaggeration for effect. Litotes is understatement through negation, while concession and citation are unrelated.
- In a persuasive essay, a writer repeats the phrase 'we remember' at the close of several paragraphs about fallen soldiers. The most likely purpose of this repetition is to
- Reinforce a central idea and create emphasis
- Reduce the length of the essay
- Correct an earlier error
- Introduce a counterargument
Correct answer: Reinforce a central idea and create emphasis
The answer is reinforcing a central idea and creating emphasis: repeating 'we remember' drives home the essay's message about honoring the fallen. The repetition does not shorten the essay, fix an error, or introduce a counterargument.
- A sentence that withholds its main idea until the very end, as in 'Despite the cold, the late hour, and the empty streets, she kept walking,' is best described as a
- Loose sentence
- Periodic sentence
- Fragment
- Run-on sentence
Correct answer: Periodic sentence
The answer is periodic sentence: it delays the main clause until the end, building suspense before resolving. A loose sentence states the main idea first, while a fragment and a run-on are sentence errors.
- A sentence that presents its main clause first and then adds modifying details, as in 'She kept walking, ignoring the cold, the late hour, and the empty streets,' is best described as a
- Periodic sentence
- Rhetorical question
- Loose sentence
- Parallel construction
Correct answer: Loose sentence
The answer is loose sentence: it delivers the main clause first and trails additional details afterward. A periodic sentence delays the main idea, a rhetorical question asks for effect, and parallel construction balances grammatical forms.
- A columnist mocks a city council's wasteful spending by 'praising' its 'visionary' decision to gold-plate the office mailboxes. This use of humor and irony to expose folly is best described as
- Allusion
- Imagery
- Satire
- Denotation
Correct answer: Satire
The answer is satire: using mock praise and irony to expose and ridicule the council's wastefulness is satire. Allusion is an indirect reference, imagery appeals to the senses, and denotation is literal meaning.
- The phrase 'a deafening silence' joins two contradictory terms for effect. This device is called
- A paradox
- An allusion
- A concession
- An oxymoron
Correct answer: An oxymoron
The answer is oxymoron: 'deafening silence' pairs two contradictory words side by side for effect. A paradox is a longer self-contradictory statement, while allusion and concession describe other techniques.
- A writer asserts, 'The more we connect online, the lonelier we seem to become.' This statement, which appears self-contradictory yet reveals a truth, is best described as
- A paradox
- A citation
- An understatement
- Parallelism
Correct answer: A paradox
The answer is paradox: the claim seems self-contradictory but points to a deeper truth about online connection and loneliness. It is not a citation, an understatement, or parallelism.
- When a writer's main aim is to convince readers to accept a position or take action, the dominant rhetorical mode is
- Argumentation
- Narration
- Description
- Exposition
Correct answer: Argumentation
The answer is argumentation: the mode whose goal is to persuade readers to accept a position or act. Narration tells a story, description paints a scene, and exposition explains or informs.
- A passage whose chief purpose is to explain how a process works or to inform readers about a topic, without taking a persuasive stance, is using the rhetorical mode of
- Argumentation
- Exposition
- Narration
- Satire
Correct answer: Exposition
The answer is exposition: its purpose is to explain or inform rather than to persuade or tell a story. Argumentation persuades, narration recounts events, and satire ridicules.
- A writer states, 'This policy may help in some cases, though its benefits are far from guaranteed.' The words 'may' and 'far from guaranteed' function as
- Citations supporting the claim
- Qualifiers that limit the claim
- Examples illustrating the claim
- Transitions linking paragraphs
Correct answer: Qualifiers that limit the claim
The answer is qualifiers that limit the claim: words like 'may' and 'far from guaranteed' restrict the scope and certainty of the assertion. They are not citations, examples, or transitions.
- In an argument, an unstated assumption that the writer expects the audience to accept in order for the reasoning to hold is called a
- Citation
- Rebuttal
- Transition
- Warrant
Correct answer: Warrant
The answer is warrant: the underlying assumption that links evidence to a claim and that the audience is expected to accept. A citation credits a source, a rebuttal answers an objection, and a transition links ideas.
- Early in an essay about resilience, a writer recounts a brief personal story about recovering from a failed business. This short personal story is best described as
- An anecdote
- A statistic
- A citation
- A rebuttal
Correct answer: An anecdote
The answer is anecdote: a short personal story used to illustrate or introduce a point. A statistic is numerical data, a citation credits a source, and a rebuttal answers an objection.
- When a passage moves abruptly from a celebratory tone in its opening to a somber tone in its closing, a reader should identify this as a
- Citation
- Works-cited entry
- Tonal shift
- Parenthetical aside
Correct answer: Tonal shift
The answer is tonal shift: the change from a celebratory to a somber tone marks a deliberate shift the reader should track. It is not a citation, a works-cited entry, or a parenthetical aside.
- A multiple-choice question asks which word best describes the relationship between the second paragraph and the first. This question is testing the reader's grasp of
- The author's birthplace
- The number of footnotes
- The typeface of the passage
- How parts of the passage function together
Correct answer: How parts of the passage function together
The answer is how parts of the passage function together: such a question asks the reader to see how one paragraph relates to and develops from another. The author's birthplace, footnote count, and typeface are irrelevant.
- A writer ends an essay by returning to an image introduced in the opening paragraph. The most likely rhetorical effect of this choice is to
- Add a required citation
- Correct a grammatical error
- Increase the word count for its own sake
- Create a sense of closure and unity
Correct answer: Create a sense of closure and unity
The answer is creating a sense of closure and unity: echoing the opening image at the end ties the essay together. It is not a citation, a grammar fix, or padding.
- A speaker says of a powerful opponent, 'I am but a humble servant, unworthy to question such wisdom,' while clearly intending to challenge that opponent. The gap between the literal words and the speaker's true attitude is an example of
- Verbal irony
- Denotation
- Parallelism
- Citation
Correct answer: Verbal irony
The answer is verbal irony: the false humility means the opposite of the speaker's actual challenging intent. Denotation is literal meaning, parallelism balances structure, and citation credits sources.
- A writer describes a corporation's relentless drive for profit as a 'hungry machine that swallows whole towns.' Giving the abstract corporation an appetite is an example of
- Personification
- Citation
- Understatement
- Denotation
Correct answer: Personification
The answer is personification: attributing human or animal appetite to a non-human corporation gives it lifelike qualities. It is not a citation, an understatement, or a literal definition.
- When a question asks how a writer's use of first-person plural pronouns such as 'we' and 'our' shapes the passage, it is examining the writer's effort to
- Build a sense of shared identity with the audience
- Cite an external authority
- Correct a punctuation error
- Shorten the passage
Correct answer: Build a sense of shared identity with the audience
The answer is building a sense of shared identity with the audience: 'we' and 'our' invite readers to see themselves as part of a common group with the writer. The pronouns do not cite authority, fix punctuation, or shorten the text.
- A writer presents three short examples, each one more serious than the last, before reaching the central claim. Arranging examples to build toward a peak is an example of
- Parenthetical citation
- Denotation
- Climactic order
- Connotation
Correct answer: Climactic order
The answer is climactic order: arranging examples from least to most serious builds toward a high point. It is not a citation, a literal definition, or an emotional association.
- A writer chooses formal, elevated vocabulary and complex sentences throughout a passage addressed to a scholarly audience. This overall manner of expression is best described as the passage's
- Citation
- Style
- Thesis
- Occasion
Correct answer: Style
The answer is style: the writer's characteristic manner of expression, including diction and sentence structure. A citation credits a source, a thesis is the main claim, and the occasion is the prompting context.
- A reader notices that a writer relies heavily on short, blunt sentences during a tense passage. The most likely effect of this sentence-length choice is to
- Create a sense of urgency and tension
- Provide a bibliography
- Establish a works-cited list
- Define a technical term
Correct answer: Create a sense of urgency and tension
The answer is creating a sense of urgency and tension: short, blunt sentences quicken the pace and heighten tension. They do not provide a bibliography, a works-cited list, or a definition.
- A writer asks, 'Was it freedom we sought, or merely the appearance of it?' immediately before offering an answer in the next sentence. This pattern of posing a question and then answering it is called
- Juxtaposition
- Denotation
- Citation
- Hypophora
Correct answer: Hypophora
The answer is hypophora: the writer raises a question and then immediately answers it. Juxtaposition pairs contrasts, denotation is literal meaning, and citation credits a source.
- A passage about pollution uses the words 'choke,' 'smother,' and 'poison' to describe a river. The cumulative effect of these word choices is to shape the passage's
- Page numbering
- Tone and the reader's attitude toward the subject
- Font selection
- Works-cited format
Correct answer: Tone and the reader's attitude toward the subject
The answer is tone and the reader's attitude: the harsh verbs 'choke,' 'smother,' and 'poison' create a grim tone and turn readers against the pollution. Page numbering, font, and citation format are irrelevant.
- When a question asks what assumption a writer must accept for an argument's evidence to support its claim, the question is probing the argument's
- Page length
- Font size
- Underlying assumptions
- Publication date
Correct answer: Underlying assumptions
The answer is underlying assumptions: such a question asks the reader to identify the unstated belief that connects the evidence to the claim. Page length, font size, and publication date are not what the question targets.
- A writer begins by establishing common ground with readers who disagree, acknowledging shared values before presenting a contested claim. The most likely purpose of opening this way is to
- Increase the number of citations
- Shorten the introduction
- Make a resistant audience more receptive
- Demonstrate correct spelling
Correct answer: Make a resistant audience more receptive
The answer is making a resistant audience more receptive: establishing shared values first lowers resistance before the contested claim arrives. It does not add citations, shorten the introduction, or showcase spelling.
- A writer of a magazine feature uses a relaxed, conversational tone and everyday vocabulary. This level of diction is best described as
- A parenthetical citation
- A rhetorical question
- Informal diction
- A counterargument
Correct answer: Informal diction
The answer is informal diction: relaxed, conversational, everyday word choice is informal diction. A citation, a rhetorical question, and a counterargument are not levels of diction.
- A scientist writing for a peer-reviewed journal uses precise technical terms specific to her field. This specialized vocabulary is best described as
- Understatement
- Allusion
- Jargon
- Anaphora
Correct answer: Jargon
The answer is jargon: specialized, technical vocabulary specific to a field or profession. Understatement, allusion, and anaphora describe other techniques.
- When a reader is asked to determine the meaning of an unfamiliar word as it is used in a passage, the most reliable approach is to
- Count the word's letters
- Use surrounding context clues
- Check the page number
- Note the paragraph's position
Correct answer: Use surrounding context clues
The answer is using surrounding context clues: the words and sentences around an unfamiliar term reveal its meaning in that passage. Letter counts, page numbers, and paragraph position do not establish meaning.
- A passage states that a leader 'never lost a battle he chose to fight, never broke a promise he chose to make, and never abandoned a cause he chose to join.' The balanced 'never...he chose to' structure across three clauses is an example of
- A parenthetical citation
- An understatement
- A denotation
- Parallel structure with repetition
Correct answer: Parallel structure with repetition
The answer is parallel structure with repetition: the three clauses repeat 'never...he chose to' in matching grammatical form. It is not a citation, an understatement, or a literal definition.
- A writer concludes an argument with 'The choice before us is simple: act now, or explain to our children why we did not.' The most likely rhetorical purpose of this closing is to
- Provide a works-cited list
- Define an unfamiliar term
- Correct a grammatical error
- Frame the decision as urgent and morally weighty
Correct answer: Frame the decision as urgent and morally weighty
The answer is framing the decision as urgent and morally weighty: contrasting acting now with answering to future generations pressures readers to act. It is not a works-cited list, a definition, or a grammar fix.
- A reader is asked to identify the primary claim a passage is arguing for. This central, overarching assertion is best called the passage's
- Thesis
- Citation
- Transition
- Allusion
Correct answer: Thesis
The answer is thesis: the central, overarching claim that the passage as a whole argues for. A citation credits a source, a transition links ideas, and an allusion is an indirect reference.
- A writer downplays a serious accusation by saying it is 'not exactly a model of honesty,' using a negative to imply a strong criticism. This device is best identified as
- Hyperbole
- Personification
- Litotes
- Anaphora
Correct answer: Litotes
The answer is litotes: stating something by negating its opposite, as in 'not exactly a model of honesty,' to imply strong criticism. Hyperbole exaggerates, personification gives human traits, and anaphora repeats openings.
- When a writer addresses an absent person, an abstract idea, or an inanimate object as though it could respond, as in 'O Liberty, where have you gone?' the device is called
- Citation
- Concession
- Denotation
- Apostrophe
Correct answer: Apostrophe
The answer is apostrophe: directly addressing an absent person or abstraction, such as 'O Liberty,' as if it could respond. Citation, concession, and denotation describe other techniques.
- A writer supports a public health claim by quoting a leading epidemiologist by name and noting her decades of research. This choice strengthens the argument primarily by
- Adding emotional imagery
- Appealing to the credibility of an expert source
- Posing a rhetorical question
- Shortening the passage
Correct answer: Appealing to the credibility of an expert source
The answer is appealing to the credibility of an expert source: naming a respected epidemiologist with decades of research bolsters the argument's authority, an appeal to ethos. It is not imagery, a rhetorical question, or a way to shorten the text.
- A reader asked to describe a passage's overall purpose should focus on
- The number of paragraphs on each page
- What the writer is ultimately trying to accomplish with the audience
- The writer's home address
- The font used in the printed text
Correct answer: What the writer is ultimately trying to accomplish with the audience
The answer is what the writer is ultimately trying to accomplish with the audience: a passage's purpose is its overall goal, such as to persuade, inform, or move readers. Paragraph counts, the writer's address, and the font are irrelevant to purpose.
- A writer arranges an essay by first describing a problem, then its causes, and finally a proposed solution. Recognizing this problem-cause-solution arrangement helps a reader analyze the passage's
- Spelling accuracy
- Letter frequency
- Margin width
- Organizational structure
Correct answer: Organizational structure
The answer is organizational structure: the problem-cause-solution sequence is a deliberate organizational structure that shapes the argument. Spelling, letter frequency, and margin width have nothing to do with structure.
- A draft reads: 'The collection of rare maps were donated to the museum.' Which revision corrects the agreement error?
- Change 'were' to 'was' so the verb agrees with the singular subject 'collection.'
- Change 'maps' to 'map.'
- Change 'collection' to 'collections.'
- Change 'donated' to 'donating.'
Correct answer: Change 'were' to 'was' so the verb agrees with the singular subject 'collection.'
Changing 'were' to 'was' is correct because the true subject is the singular noun 'collection,' not the nearby plural 'maps,' so the verb must be singular. Altering 'maps,' 'collection,' or 'donated' does not fix the subject-verb mismatch.
- In the sentence 'Neither the manager nor the employees was notified of the change,' which revision best fixes the verb?
- Change 'employees' to 'employee.'
- Change 'was' to 'were' so the verb agrees with the nearer subject 'employees.'
- Change 'Neither' to 'Either.'
- Change 'notified' to 'notify.'
Correct answer: Change 'was' to 'were' so the verb agrees with the nearer subject 'employees.'
Changing 'was' to 'were' is correct because with 'neither...nor,' the verb agrees with the subject nearer to it, and 'employees' is plural. Changing 'employees,' 'Neither,' or 'notified' does not address the agreement rule.
- A Writing-section item asks a student to select the verb form that keeps a paragraph consistent in time. This question primarily tests control of
- Works-cited order
- Comma placement
- Verb tense consistency
- Rhetorical appeals
Correct answer: Verb tense consistency
The answer is verb tense consistency, since selecting a verb form that matches the time frame of surrounding sentences is a tense question. Comma placement, citation order, and rhetorical appeals are unrelated to keeping tense uniform.
- A draft narrating a past event reads: 'She entered the room and suddenly freezes.' Which revision keeps the tense consistent?
- Change 'room' to 'rooms.'
- Change 'entered' to 'enter.'
- Change 'suddenly' to 'sudden.'
- Change 'freezes' to 'froze' to match the past-tense 'entered.'
Correct answer: Change 'freezes' to 'froze' to match the past-tense 'entered.'
Changing 'freezes' to 'froze' is correct because the sentence is in the past tense established by 'entered,' so both verbs should be past. Changing 'entered,' 'suddenly,' or 'room' would not resolve the inconsistent shift to present tense.
- A draft reads: 'Each of the students submitted their final essay early.' A grammar-focused revision concerned with strict agreement would change 'their' to
- 'his or her' to agree with the singular 'each.'
- 'theirs.'
- 'them.'
- 'they.'
Correct answer: 'his or her' to agree with the singular 'each.'
The strict-agreement revision changes 'their' to 'his or her,' because the antecedent 'each' is singular and traditionally requires a singular pronoun. 'Theirs,' 'them,' and 'they' do not correct the number disagreement.
- In 'When the dog saw the cat, it ran away,' the pronoun 'it' is problematic because
- 'it' is the wrong case.
- Its reference is ambiguous, since 'it' could mean the dog or the cat
- 'it' is plural.
- 'it' is a possessive form.
Correct answer: Its reference is ambiguous, since 'it' could mean the dog or the cat
The pronoun 'it' is problematic because of ambiguous reference: a reader cannot tell whether the dog or the cat ran away. The issue is not case, number, or possession but unclear antecedent.
- Which revision corrects the pronoun case error in 'The award was given to Maria and I'?
- Change 'was' to 'were.'
- Change 'Maria' to 'Maria's.'
- Change 'I' to 'me,' because the pronoun is the object of the preposition 'to.'
- Change 'given' to 'gave.'
Correct answer: Change 'I' to 'me,' because the pronoun is the object of the preposition 'to.'
Changing 'I' to 'me' is correct because the pronoun functions as the object of the preposition 'to' and so takes the objective case. The other changes do not address the case error.
- A draft reads: 'The internship taught her to research thoroughly, writing clearly, and how to present confidently.' Which revision creates parallel structure?
- 'to research, writing clearly, and presenting.'
- 'researching, to write, and presenting.'
- 'research, writing, and to present.'
- 'to research thoroughly, to write clearly, and to present confidently.'
Correct answer: 'to research thoroughly, to write clearly, and to present confidently.'
The parallel revision uses three matching infinitive phrases: 'to research thoroughly, to write clearly, and to present confidently.' The other options mix infinitives and gerunds, breaking parallelism.
- On the Writing section, a question asking which revision makes items in a list grammatically consistent is testing a student's command of
- Parallelism
- In-text citation
- Tone
- Hyperbole
Correct answer: Parallelism
The answer is parallelism, because making items in a list share the same grammatical form is the definition of parallel structure. In-text citation, tone, and hyperbole are not concerned with list consistency.
- A draft reads: 'The results were surprising, the team repeated the experiment.' This sentence contains a
- Fragment
- Comma splice, because two independent clauses are joined only by a comma
- Dangling modifier
- Faulty parallelism
Correct answer: Comma splice, because two independent clauses are joined only by a comma
The sentence contains a comma splice, since two complete independent clauses are joined by only a comma. It is not a fragment, a dangling modifier, or a parallelism error.
- Which revision best corrects the comma splice 'The bridge was closed, traffic backed up for miles'?
- 'The bridge was closed traffic backed up for miles.'
- 'The bridge was closed, traffic, backed up for miles.'
- 'The bridge was closed, so traffic backed up for miles.'
- 'The bridge, was closed, traffic backed up for miles.'
Correct answer: 'The bridge was closed, so traffic backed up for miles.'
Adding the coordinating conjunction 'so' after the comma in 'The bridge was closed, so traffic backed up for miles' correctly joins the two clauses. The remaining options misplace commas or create a run-on.
- A writer wants to join two closely related independent clauses without a coordinating conjunction. The most appropriate punctuation is
- An ellipsis
- A hyphen
- An apostrophe
- A semicolon
Correct answer: A semicolon
A semicolon is the appropriate mark, since it links two related independent clauses without needing a coordinating conjunction. A hyphen, apostrophe, and ellipsis serve entirely different purposes.
- A draft reads: 'The companys new policy upset many workers.' Which revision corrects the punctuation?
- Change 'companys' to 'company's' to show singular possession.
- Change 'companys' to 'companies.'
- Change 'workers' to 'worker's.'
- Change 'policy' to 'policy's.'
Correct answer: Change 'companys' to 'company's' to show singular possession.
Changing 'companys' to 'company's' is correct because the possessive of the singular noun 'company' requires an apostrophe before the 's.' Pluralizing or adding apostrophes to the other words introduces new errors.
- A run-on sentence reads: 'The hikers reached the summit they celebrated with photographs.' The clearest fix is to
- Insert a comma after 'summit.'
- Place a period after 'summit' and capitalize 'They,' creating two sentences
- Delete the word 'they.'
- Change 'reached' to 'reaching.'
Correct answer: Place a period after 'summit' and capitalize 'They,' creating two sentences
Splitting the run-on with a period after 'summit' and capitalizing 'They' yields two correct sentences. A comma alone would create a splice, and the other changes leave the run-on unresolved.
- A draft reads: 'Because the deadline was moved up suddenly.' This word group is a fragment because it
- Uses passive voice
- Contains too many commas
- Is a dependent clause that lacks an independent clause to complete the thought
- Has an unclear pronoun
Correct answer: Is a dependent clause that lacks an independent clause to complete the thought
The word group is a fragment because it is a dependent clause beginning with 'Because' that has no independent clause to complete it. Commas, voice, and pronoun reference are not the source of the problem.
- Which revision turns the fragment 'Running through the crowded station to catch the last train' into a complete sentence?
- 'The crowded station to catch the last train.'
- 'Running through the crowded station to catch the last train, quickly.'
- 'To catch the last train, running through the crowded station.'
- 'Running through the crowded station, she hoped to catch the last train.'
Correct answer: 'Running through the crowded station, she hoped to catch the last train.'
Adding a subject and main verb, as in 'she hoped to catch the last train,' completes the sentence. The other options remain fragments because they still lack an independent clause.
- A draft reads: 'At this point in time, the committee is currently reviewing the proposal.' The most concise revision is
- 'The committee is reviewing the proposal.'
- 'At this point in time, the committee reviews now.'
- 'Currently at this point, the committee is reviewing.'
- 'The committee, at this current time, reviews the proposal now.'
Correct answer: 'The committee is reviewing the proposal.'
'The committee is reviewing the proposal' is most concise because it removes the redundant phrases 'at this point in time' and 'currently.' The other choices keep or multiply the wordy expressions.
- On the Writing section, an item asking which revision removes unnecessary repetition and tightens a sentence tests a student's skill at
- Formatting a works-cited page
- Eliminating wordiness
- Identifying meter
- Analyzing the author's purpose
Correct answer: Eliminating wordiness
The answer is eliminating wordiness, because removing repetition to tighten a sentence is exactly that skill. Works-cited formatting, meter, and purpose analysis are unrelated to conciseness.
- Which phrase is the most concise replacement for 'due to the fact that'?
- 'owing to the situation that'
- 'in regards to'
- 'because'
- 'for the reason being that'
Correct answer: 'because'
'Because' is the most concise replacement, conveying the same causal meaning in a single word. The other choices are equally wordy or longer than the original.
- A draft reads: 'A decision was made by the board to delay the launch.' Which revision uses the active voice for greater directness?
- 'The launch, it was decided, would be delayed.'
- 'It was decided that the launch would be delayed.'
- 'A delay of the launch was decided upon.'
- 'The board decided to delay the launch.'
Correct answer: 'The board decided to delay the launch.'
'The board decided to delay the launch' is the active-voice revision because the subject 'board' performs the action directly. The other options remain passive or wordy constructions.
- A draft reads: 'The new regulations will effect every department.' Which revision corrects the word choice?
- Change 'effect' to 'affect,' the verb meaning to influence.
- Change 'effect' to 'effected.'
- Change 'will' to 'would.'
- Change 'every' to 'all.'
Correct answer: Change 'effect' to 'affect,' the verb meaning to influence.
Changing 'effect' to 'affect' is correct because the sentence needs the verb 'affect,' meaning to influence; 'effect' as a noun means a result. Altering 'effected,' 'will,' or 'every' does not fix the usage error.
- Which sentence uses 'who' and 'whom' correctly?
- 'The candidate who the voters chose gave a brief speech.'
- 'The candidate whom the voters chose gave a brief speech.'
- 'The candidate whom won the election gave a speech.'
- 'Whom is responsible for this report?'
Correct answer: 'The candidate whom the voters chose gave a brief speech.'
'The candidate whom the voters chose' is correct because 'whom' is the object of the verb 'chose.' The other sentences misuse 'who' as an object or 'whom' as a subject.
- A draft reads: 'Their going to present they're findings over there.' Which revision corrects the usage?
- 'Their going to present there findings over they're.'
- 'There going to present their findings over their.'
- 'They're going to present their findings over there.'
- 'They're going to present there findings over their.'
Correct answer: 'They're going to present their findings over there.'
'They're going to present their findings over there' is correct: 'they're' is the contraction for 'they are,' 'their' shows possession, and 'there' indicates place. The other versions scramble these homophones.
- A draft reads: 'After finishing the exam, the lobby felt strangely quiet.' This sentence contains a dangling modifier because
- The pronoun is ambiguous
- It lacks a verb
- The comma is missing
- The introductory phrase has no logical subject to modify, since the lobby did not finish the exam
Correct answer: The introductory phrase has no logical subject to modify, since the lobby did not finish the exam
The sentence has a dangling modifier because the opening phrase 'After finishing the exam' has no logical subject to attach to, implying the lobby took the exam. The issue is not a missing verb, comma, or unclear pronoun.
- Which revision best corrects the dangling modifier in 'Driving down the highway, the billboard caught my attention'?
- 'Driving down the highway, I noticed the billboard.'
- 'The billboard, driving down the highway, caught my attention.'
- 'Driving down the highway, the billboard, caught my attention.'
- 'The billboard caught my attention driving down the highway it.'
Correct answer: 'Driving down the highway, I noticed the billboard.'
'Driving down the highway, I noticed the billboard' fixes the dangling modifier by giving the introductory phrase a logical subject, 'I.' The other options leave the billboard illogically driving or muddle the sentence.
- A draft reads: 'Recycling programs reduce landfill waste. ______, many cities still lack convenient drop-off sites.' Which transition best fits the contrast?
- 'Therefore'
- 'However'
- 'Likewise'
- 'For example'
Correct answer: 'However'
'However' best fits because it signals the contrast between the benefit of recycling and the obstacle of inconvenient sites. 'Therefore,' 'Likewise,' and 'For example' indicate result, similarity, or illustration, none of which suits a contrast.
- A paragraph claims that exercise improves focus, then needs support. Which added sentence best provides relevant evidence?
- 'Gyms can be expensive to join in large cities.'
- 'Many people enjoy exercising outdoors in the summer.'
- 'A 2023 study found that students who exercised before class scored higher on attention tasks.'
- 'My uncle prefers swimming to running.'
Correct answer: 'A 2023 study found that students who exercised before class scored higher on attention tasks.'
The sentence citing a study linking exercise to higher attention scores provides relevant evidence for the claim about focus. The other sentences address cost, season, or personal preference and do not support the claim.
- A writer's paragraph about renewable energy includes a sentence about a celebrity's diet. On the Writing section, the best revision is to
- Change its verb tense
- Move it to the introduction
- Add a citation to it
- Delete the sentence because it is irrelevant to the paragraph's focus
Correct answer: Delete the sentence because it is irrelevant to the paragraph's focus
Deleting the off-topic sentence is best because a sentence about a celebrity's diet does not relate to renewable energy and disrupts paragraph focus. Moving it, citing it, or changing its tense would not solve the relevance problem.
- Which choice best combines 'The novel was long. The novel was rewarding.' by coordinating the two qualities?
- 'The novel was long but rewarding.'
- 'The novel was long, the novel was rewarding.'
- 'The novel was long because it was rewarding.'
- 'The novel, long, rewarding, was a novel.'
Correct answer: 'The novel was long but rewarding.'
'The novel was long but rewarding' best combines the sentences by coordinating the two contrasting qualities with 'but.' A comma splice, a false causal link, and the fragmented list are all weaker or incorrect.
- Which choice best combines 'The witnesses gave conflicting accounts. The detective grew suspicious.' so the first idea causes the second?
- 'The witnesses gave conflicting accounts, the detective grew suspicious.'
- 'Because the witnesses gave conflicting accounts, the detective grew suspicious.'
- 'The witnesses gave conflicting accounts; however, the detective grew suspicious.'
- 'The detective grew suspicious, the witnesses gave conflicting accounts.'
Correct answer: 'Because the witnesses gave conflicting accounts, the detective grew suspicious.'
Beginning with 'Because' shows the conflicting accounts caused the detective's suspicion, the intended cause-effect relationship. The comma splice, the contrast signal 'however,' and the reversed-order version misstate the logic.
- On the Writing section, a question asking which sentence would make the best topic sentence for a paragraph is testing the student's ability to
- Format a citation
- Spot a comma splice
- Identify a clear statement of the paragraph's main idea
- Detect hyperbole
Correct answer: Identify a clear statement of the paragraph's main idea
The answer is identifying a clear statement of the paragraph's main idea, since a topic sentence announces what the paragraph is about. Spotting splices, formatting citations, and detecting hyperbole are different tasks.
- A paragraph presents steps in the wrong order, ending with the first action a reader should take. A revision focused on logical order would
- Insert a rhetorical question
- Add an MLA citation
- Change the diction to be more formal
- Rearrange the sentences so the steps follow chronological sequence
Correct answer: Rearrange the sentences so the steps follow chronological sequence
Rearranging the sentences into chronological sequence fixes the logical-order problem for a process paragraph. Adding a citation, formalizing diction, or inserting a question would not correct the disordered steps.
- A writer wants to signal that a new paragraph builds on the previous one rather than contradicting it. The best opening transition is
- 'Building on this point,'
- 'On the contrary,'
- 'In contrast,'
- 'Despite this,'
Correct answer: 'Building on this point,'
'Building on this point' is best because it signals continuation and development of the prior idea. 'On the contrary,' 'In contrast,' and 'Despite this' all signal opposition, which is the wrong relationship.
- A writer quotes a source but provides no page number and names no author in the text. The Writing-section concern this raises is
- Misplaced modifier
- Incomplete in-text citation, which leaves the source uncredited
- Faulty parallelism
- Comma splice
Correct answer: Incomplete in-text citation, which leaves the source uncredited
The concern is incomplete in-text citation, because a quotation without an author or page leaves readers unable to locate the source. Modifiers, parallelism, and comma splices are unrelated to crediting sources.
- In MLA style, titles of short works such as articles and poems are correctly presented in
- All capital letters
- Italics
- Quotation marks
- Bold type
Correct answer: Quotation marks
Short works such as articles and poems take quotation marks in MLA style, whereas longer works such as books are italicized. All capitals and bold type are not MLA conventions for titles.
- A student summarizes another writer's idea in her own words but includes no citation. This is best described as
- A parallelism error
- Acceptable, since paraphrasing removes the need to cite
- A tense error
- Plagiarism, because borrowed ideas must be credited even when paraphrased
Correct answer: Plagiarism, because borrowed ideas must be credited even when paraphrased
Failing to cite a paraphrased idea is plagiarism, because borrowed ideas require credit even when reworded. Paraphrasing does not remove the citation requirement, and the issue is not tense or parallelism.
- A writer of a job application letter uses the slang phrase 'you guys' to address the hiring committee. The best revision for an appropriate tone is
- 'you' or 'the committee,' which suit a formal context.
- 'y'all,' which is friendlier.
- 'folks,' which is casual.
- 'dudes,' which is energetic.
Correct answer: 'you' or 'the committee,' which suit a formal context.
'You' or 'the committee' suits the formal context of a job application, replacing the casual 'you guys.' 'Y'all,' 'folks,' and 'dudes' remain informal and inappropriate for the audience.
- To convey that a plan failed completely rather than partially, a writer should choose the verb
- 'wavered.'
- 'collapsed.'
- 'slowed.'
- 'shifted.'
Correct answer: 'collapsed.'
'Collapsed' conveys complete failure, matching the intended meaning. 'Wavered,' 'slowed,' and 'shifted' suggest only partial or gradual change, not total failure.
- A draft reads: 'We visited the pacific ocean during our trip to the West coast.' Which revision corrects the capitalization?
- 'We Visited the pacific ocean during our Trip to the West coast.'
- 'We visited the pacific Ocean during our trip to the west coast.'
- 'We visited the Pacific Ocean during our trip to the West Coast.'
- 'We visited the Pacific ocean during our trip to the west Coast.'
Correct answer: 'We visited the Pacific Ocean during our trip to the West Coast.'
'Pacific Ocean' and 'West Coast' are proper nouns and must be capitalized, making the first option correct. The other versions leave proper nouns lowercase or capitalize ordinary words.
- A draft reads: 'The report basically summarizes essentially the key findings.' The most effective revision is to
- Capitalize 'findings.'
- Add a comma after 'report.'
- Change 'summarizes' to 'summarized.'
- Delete the filler words 'basically' and 'essentially.'
Correct answer: Delete the filler words 'basically' and 'essentially.'
Deleting the filler words 'basically' and 'essentially' is most effective because they add no meaning and weaken the sentence. Adding a comma, changing tense, or capitalizing 'findings' would not improve the wordiness.
- A draft reads: 'The festival sold out every show. ______, organizers added two extra performances to meet demand.' Which transition word best fits the blank to show a logical result?
- Nevertheless
- Meanwhile
- Therefore
- In contrast
Correct answer: Therefore
The correct choice is 'Therefore.' Because adding extra performances is a direct result of selling out, a cause-and-effect transition is needed. 'Nevertheless' and 'In contrast' signal opposition, and 'Meanwhile' signals simultaneous time, none of which match a result relationship.
- A draft reads: 'The recipe called for fresh basil. ______, the cook substituted dried basil because the store had none.' Which transition best fits the blank to signal a contrast with the requirement?
- However
- Furthermore
- Likewise
- Consequently
Correct answer: However
The answer is 'However.' The cook's substitution runs counter to what the recipe required, so a contrast transition fits. 'Consequently' signals result, 'Furthermore' adds information, and 'Likewise' signals similarity, none of which mark the contrast between requirement and substitution.
- A draft reads: 'The museum lowered its admission price. ______, it extended its weekend hours to attract more visitors.' Which transition best fits the blank to add a second related action?
- On the other hand
- As a result
- In addition
- For instance
Correct answer: In addition
The correct transition is 'In addition.' Both lowering prices and extending hours are parallel steps toward the same goal, so an additive transition fits. 'On the other hand' signals contrast, 'As a result' signals effect, and 'For instance' introduces an example, none of which match a second parallel action.
- Which choice most effectively combines the sentences 'The hikers reached the summit. They watched the sunrise from the peak.'?
- The hikers reached the summit, and the sunrise was watched by them from the peak.
- The hikers reached the summit, where they watched the sunrise.
- The hikers reached the summit; they watched the sunrise from the peak from there.
- Reaching the summit, the sunrise was watched by the hikers.
Correct answer: The hikers reached the summit, where they watched the sunrise.
The best combination is 'The hikers reached the summit, where they watched the sunrise.' It uses a relative clause to join the ideas concisely while keeping the hikers as the active subject. The passive 'was watched' versions are wordy and weak, and the last option repeats location information awkwardly.
- Which choice best combines 'The novel was published in 1955. It quickly became a bestseller.'?
- The novel, which was published in 1955, and it quickly became a bestseller.
- The novel was published in 1955, becoming quickly a bestseller it was.
- The novel was published in 1955, it quickly became a bestseller.
- Published in 1955, the novel quickly became a bestseller.
Correct answer: Published in 1955, the novel quickly became a bestseller.
The strongest combination is 'Published in 1955, the novel quickly became a bestseller.' An introductory participial phrase subordinates the publication date and tightens the sentence. The second option is a comma splice, and the third and fourth options are ungrammatical and garbled.
- Which choice best combines 'The committee reviewed the budget. The committee rejected three proposals.'?
- Reviewing the budget and three proposals were rejected by the committee.
- The committee reviewed the budget, the committee rejected three proposals.
- The committee reviewed the budget and rejected three proposals.
- The committee, reviewing the budget, three proposals were rejected.
Correct answer: The committee reviewed the budget and rejected three proposals.
The best choice is 'The committee reviewed the budget and rejected three proposals.' Because both verbs share the same subject, a compound predicate joined by 'and' is clearest. The second option is a comma splice, and the third and fourth shift confusingly into the passive voice and lose clarity.
- On the Writing section, a writer wants to add a sentence that defines an unfamiliar term for general readers. Which addition best serves that purpose in a paragraph about 'photosynthesis'?
- Plants are an important part of the ecosystem.
- Photosynthesis is the process by which plants convert sunlight into chemical energy.
- Many people enjoy gardening in the spring.
- Photosynthesis has fascinated scientists for centuries.
Correct answer: Photosynthesis is the process by which plants convert sunlight into chemical energy.
The best addition is 'Photosynthesis is the process by which plants convert sunlight into chemical energy.' It directly defines the term so general readers can follow the passage. The other options offer context, opinion, or loosely related facts but never define the term itself.
- A paragraph traces the steps of a science experiment. On the Writing section, a question asks where a newly added sentence describing the final measurement should be placed. The sentence should most logically go
- Anywhere, since order does not affect a process paragraph
- In the middle, interrupting the setup steps
- At the beginning, before any procedure is described
- At the end, after the steps it follows chronologically
Correct answer: At the end, after the steps it follows chronologically
The sentence should go at the end, after the steps it follows chronologically. A process paragraph relies on sequence, so a final measurement belongs after the procedures that produce it. Placing it earlier or treating order as irrelevant would disrupt the logical flow readers expect.
- On the Writing section, an item asks whether a writer should delete a sentence. The sentence in question simply restates the paragraph's topic in different words and adds no new information. The writer should
- Keep it, because longer paragraphs are always stronger
- Move it to a different paragraph to fix the redundancy
- Delete it, because it is redundant and contributes nothing new
- Keep it, because restating ideas always improves clarity
Correct answer: Delete it, because it is redundant and contributes nothing new
The writer should delete it, because it is redundant and contributes nothing new. A sentence that merely repeats the topic without adding information weakens conciseness. Length alone does not strengthen a paragraph, restatement is not automatically clarifying, and moving the redundancy elsewhere would not solve it.
- Which revision best corrects the dangling modifier in 'After finishing the exam, the cafeteria was crowded'?
- After finishing the exam, the crowded cafeteria.
- After finishing the exam, the students found the cafeteria crowded.
- The cafeteria, after finishing the exam, was crowded.
- After finishing the exam, crowded was the cafeteria.
Correct answer: After finishing the exam, the students found the cafeteria crowded.
The correct revision is 'After finishing the exam, the students found the cafeteria crowded.' The opening phrase needs a logical subject who can finish an exam, and only 'the students' fits. The other versions still leave the cafeteria as the illogical finisher of the exam or are sentence fragments.
- Which sentence corrects the misplaced modifier in 'The teacher returned the essays to the students that were full of red ink'?
- The teacher returned the essays that were full of red ink to the students.
- The teacher returned the students that were full of red ink to the essays.
- The teacher, full of red ink, returned the essays to the students.
- Full of red ink, the teacher returned the essays to the students.
Correct answer: The teacher returned the essays that were full of red ink to the students.
The corrected sentence is 'The teacher returned the essays that were full of red ink to the students.' The modifier 'full of red ink' should sit beside 'essays,' the thing actually marked. The other options absurdly attach the red ink to the teacher or the students, or reverse the meaning entirely.
- In the sentence 'He almost cleaned the entire kitchen,' moving the word 'almost' to read 'He cleaned almost the entire kitchen' changes the meaning so that the sentence now indicates that he
- Cleaned most but not all of the kitchen
- Intended to clean a different room
- Nearly began cleaning but did not start
- Cleaned the kitchen completely
Correct answer: Cleaned most but not all of the kitchen
The revised sentence indicates that he cleaned most but not all of the kitchen. Placing 'almost' before 'the entire kitchen' limits the extent of the cleaning rather than whether it happened. The original 'almost cleaned' suggested he nearly didn't clean at all, and the other options misread the corrected placement.
- A writer revising a formal lab report wants to replace the informal phrase 'a ton of data' with a more precise, academic term. Which choice best fits a formal register?
- Loads of data
- A whole bunch of data
- Way too much data
- A substantial amount of data
Correct answer: A substantial amount of data
The best choice is 'a substantial amount of data.' It conveys a large quantity in precise, formal language suited to a lab report. 'Loads of,' 'a whole bunch of,' and 'way too much' are all colloquial and carry an informal tone inappropriate for academic writing.
- A writer wants to revise 'The results were not bad' to convey a confident, positive endorsement appropriate for a formal evaluation. Which revision best achieves that intent?
- The results were not too terrible.
- The results were sort of okay.
- The results were not the worst we have seen.
- The results were impressive.
Correct answer: The results were impressive.
The best revision is 'The results were impressive.' It states a clear, confident, positive judgment, replacing the weak double negative of the original. The other options remain hedged, informal, or faintly negative, failing to deliver the confident endorsement the writer wants.
- To describe a politician's repeated dodging of direct questions in a way that signals disapproval, which word best conveys the writer's critical intent?
- Candid
- Evasive
- Thorough
- Decisive
Correct answer: Evasive
The most fitting word is 'evasive,' which captures the act of dodging questions while carrying a disapproving connotation. 'Candid' and 'thorough' suggest openness and care, and 'decisive' suggests firmness, so all three contradict the intended criticism.
- A writer revising for syntax wants to break up a passage made entirely of long, complex sentences. The most effective revision would be to
- Convert every sentence into a question
- Insert a few short, direct sentences to vary the rhythm
- Combine all the sentences into a single longer sentence
- Remove all punctuation to speed the pace
Correct answer: Insert a few short, direct sentences to vary the rhythm
The most effective revision is to insert a few short, direct sentences to vary the rhythm. Sentence-length variety improves readability and pacing in a passage of uniformly long sentences. Combining them worsens the problem, turning every sentence into a question distorts meaning, and removing punctuation produces run-ons.
- When editing, a writer reorders a narrative paragraph so its events appear in the order they actually happened. This kind of revision improves the paragraph's
- Citation format
- Chronological coherence
- Vocabulary level
- Use of figurative language
Correct answer: Chronological coherence
This revision improves the paragraph's chronological coherence. Arranging narrative events in the order they occurred helps readers follow the sequence logically. Figurative language, citation format, and vocabulary level are unrelated to the ordering of events in time.
- A writer notices a paragraph jumps between two unrelated topics with no connecting idea. To fix this lack of unity, the writer should most effectively
- Capitalize the key words for emphasis
- Add more long sentences to fill space
- Revise so that each sentence supports a single controlling idea
- Replace every transition with a semicolon
Correct answer: Revise so that each sentence supports a single controlling idea
The writer should revise so that each sentence supports a single controlling idea. Paragraph unity requires all sentences to relate to one central point. Adding length, swapping in semicolons, or capitalizing words does nothing to refocus the paragraph on a single idea.
- A standard MLA works-cited entry for a journal article lists the article title in quotation marks and the journal title in italics. According to this pattern, the journal title should be formatted in
- Bold capital letters
- Italics
- Underlining only
- Quotation marks
Correct answer: Italics
The journal title should be formatted in italics. In MLA style, titles of larger containing works such as journals are italicized, while titles of shorter pieces within them, like articles, take quotation marks. Bold capitals and underlining are not the current MLA conventions for journal titles.
- In MLA style, a works-cited entry for a source with no named author is alphabetized in the list by
- The publisher's name
- The page number
- The first significant word of the title
- The date of publication
Correct answer: The first significant word of the title
The entry is alphabetized by the first significant word of the title. When no author is named, MLA uses the title, ignoring articles such as 'a' or 'the,' to determine alphabetical order. Publisher, date, and page number are never the basis for alphabetizing entries.
- A writer paraphrases an idea from page 12 of a single-author book by Nguyen. Which MLA in-text citation correctly credits this paraphrase?
- (Nguyen 12)
- (Nguyen, page 12)
- (12, Nguyen)
- (Nguyen, p. 12)
Correct answer: (Nguyen 12)
The correct citation is '(Nguyen 12).' MLA in-text style lists the author's last name and the page number with no comma and no abbreviation such as 'p.' The options that add 'page,' 'p.,' or reverse the order do not follow MLA format.
- When a writer quotes a source within a sentence and immediately follows it with a parenthetical page citation, the period at the end of the sentence should be placed
- After the author's name inside the parenthesis
- Before the opening parenthesis
- After the closing parenthesis
- Before the closing quotation mark
Correct answer: After the closing parenthesis
The period belongs after the closing parenthesis. In MLA style, the parenthetical citation comes outside the quotation marks and the sentence's final period follows it. Placing the period inside the quotation or before the parenthesis would break the convention for crediting borrowed material.
- A research paper integrates a statistic taken from a government website that has no page numbers. In MLA style, the in-text citation for this source should include
- The date the writer accessed the site
- An invented page number to fill the slot
- The full web address in parentheses
- The author or organization name only, with no page number
Correct answer: The author or organization name only, with no page number
The citation should include the author or organization name only, with no page number. MLA omits page numbers for sources, such as many websites, that lack them. Inventing a page number, dropping in the full URL, or substituting the access date would all violate MLA in-text conventions.
- On the Writing section, a question presents a sentence with a vague pronoun: 'When the manager met with the client, she seemed nervous.' The clearest revision specifies who 'she' refers to. The best fix is to
- Replace 'she' with the specific person intended
- Delete the entire second clause
- Change 'she' to 'they' for neutrality
- Add a comma before 'she'
Correct answer: Replace 'she' with the specific person intended
The best fix is to replace 'she' with the specific person intended. The pronoun could refer to either the manager or the client, so naming the person removes the ambiguity. Deleting the clause loses meaning, switching to 'they' keeps it vague, and adding a comma does not clarify the reference.
- A draft sentence reads: 'Running late for the bus, the backpack was forgotten on the table.' Which revision best corrects the faulty construction by supplying a logical subject?
- The backpack, running late for the bus, was forgotten.
- Running late for the bus, the table held the forgotten backpack.
- Forgotten on the table, the bus was running late.
- Running late for the bus, Maria forgot the backpack on the table.
Correct answer: Running late for the bus, Maria forgot the backpack on the table.
The best revision is 'Running late for the bus, Maria forgot the backpack on the table.' The introductory phrase needs a subject capable of running late, and only a person fits. The other versions illogically make the table or the backpack the one running late for the bus.
- A writer wants to make the sentence 'The decision was made by the board to cancel the event' more concise and direct. The best revision is
- The board decided to cancel the event.
- It was decided by the board that the event would be cancelled.
- The decision to cancel the event was a board decision.
- The cancelling of the event was decided upon by the board.
Correct answer: The board decided to cancel the event.
The best revision is 'The board decided to cancel the event.' Converting the passive construction to an active one with the board as subject is the most concise and direct. The other options keep wordy passive or nominalized phrasing that obscures who acted.
- On the Writing section, a writer wants to add a transition between a paragraph that lists a problem and a paragraph that proposes a solution. Which opening phrase best signals that shift?
- In the same way,
- Similarly to the above,
- As a final example,
- To address this problem,
Correct answer: To address this problem,
The best opening is 'To address this problem,' which clearly signals a move from describing a problem to offering a solution. 'Similarly' and 'In the same way' suggest comparison, and 'As a final example' suggests another instance, none of which mark the problem-to-solution shift.
- A writer revising for parallel structure wants to fix the sentence 'The internship taught her to manage time, communicating clearly, and how to lead a team.' The best revision is
- The internship taught her to manage time, to communicate clearly, and to lead a team.
- The internship taught her to manage time, clear communication, and team leading.
- The internship taught her time management, communicating clearly, and to lead a team.
- The internship taught her managing time, to communicate clearly, and leading a team.
Correct answer: The internship taught her to manage time, to communicate clearly, and to lead a team.
The best revision is 'The internship taught her to manage time, to communicate clearly, and to lead a team.' Repeating the infinitive form across all three items creates parallel structure. The other options mix gerunds, nouns, and infinitives, breaking the grammatical parallelism the list requires.